Art Direction
Joaquín Gaztambide’s A Midsummer Night’s Dream was first performed at the Teatro del Circo in 1852. Participating in the revival of this comic opera are Miguel Ángel Gómez-Martínez, the veteran musical director, who considers Gaztambide to be “interesting, enjoyable and the holder of an extraordinary musical quality”, and Marco Carniti, the stage director, who wants to make us enjoy the beauty of a work which cheerfully veers between dream and reality. The libretto has been completely revamped and the action moved to Rome in the 1950s. Broadcast live from the Teatro de la Zarzuela on February 10th, 2019.
Director
With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.
Writer
A tranquil campground in rural France is the backdrop for this erotic sizzler between beautiful teenager Camille and down on his luck ex con, Blaise. Fresh out of prison, Blaise accepts a job as sailing instructor at the camp. Haunted by violent nightmares and reminded daily of his estranged wife and children, Blaise tries mightily to resist Camille’s charms. But the girl’s spontaneity and nubile sexuality awaken Blaise’s own repressed capacity for life.
Director
A tranquil campground in rural France is the backdrop for this erotic sizzler between beautiful teenager Camille and down on his luck ex con, Blaise. Fresh out of prison, Blaise accepts a job as sailing instructor at the camp. Haunted by violent nightmares and reminded daily of his estranged wife and children, Blaise tries mightily to resist Camille’s charms. But the girl’s spontaneity and nubile sexuality awaken Blaise’s own repressed capacity for life.
Director
Out of the shadows of the house, the rat observes the strange activity of the old man: he just succumbs to the yearning for his mother, who died young. Never tired, he patrols the edge of the forest to tow a pretty Dirn. Because most women are easy prey and can be conveniently stored in the tin box, which guards the Corpora Delicti for the most aggressive kit Mama. But as the past floats back, mingling with the contemporary psyche, the old man first has to worry about the figure behind the gas mask poaching in his hunting ground.
