Dorottya Udvaros

A girl in her thirties who lost all her hope in finding love meets a black cat, who can talk, but only the girl could hear it.

Bence - who is a member of his father’s petty crime organization – goes to his grandparents over the weekend. He is there to say goodbye to his demented grandfather and to provide some help to his grandmother, Magda with the old man’s caretaking. While he is with them Bence has to confront some unpleasant truth about the family’s collective past, and he also realizes the violence he casts on others follows him everywhere.

A cardiologist is sent into retirement, but he feels at loss without his work. He returns to his home village to work as a general practitioner. This is the start of his ordeal: he's confronted with raw reality, which finally brings him to his knees. But music has the last word.

At a gas station in the middle of nowhere, a young man arrives to meet his father he hasn't seen for 30 years. On the same day, a van with four prostitutes breaks down at the very same gas station, on the way to Switzerland. The three days they spend together in the station change their lives forever.

The aging Eszter clarify outstanding relationship.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

Story about two restaurant critics, whom write articles under fake names.

In the 20th live broadcast of Frau Plastic Chicken’s TV show entitled Nexxt, the first guest comes from the sixties: it is the hero of Burgess’s novel A Clockwork Orange, the notorious murderer Alexander Grushkin, that is, Little Alex. With the help of Egodoki, Frau PC has the Ludovico Technique applied on him, and beside the broken Alex she has Rex Madison, the protagonist of American Psycho brought in, with handcuffs on. The self-assured gigolo breaks down at the appearance of Maggie, his first love, and it is he who wins the confessional show led by Mrs Cardinal Paula Aquarius, which incurs pardon to be given. Rex, freed from his shackles, shoots the majority of those present, rapes PC and leaves together with Alex by helicopter. The show continues on the moon.

A Minister and the Secretary of the Opposition party go to a 5 star hotel to conduct a secret affair. Their plans are ruined when they discover a corpse lodged in the window of their room.

A prominent conductor's nervous breakdown leads to love in this thoughtful Hungarian romantic drama. For sometime, Landos, a noted conductor, has suffered anxiety and a lack of confidence about his work. The problem is made worse by his wife's successful dental practice. Eventually it becomes too overwhelming and the conductor is sent to a mental hospital for rest. There he encounters clinical psychologist Andrea Novak. At first she seems colder than alpine snow, but when he sneaks out to return to work and she finds him there, things quickly turn hot. The two become engulfed in passion that they ignore their own spouses and professions, causing Novak to be formally reprimanded. Eventually Landos finds himself forced to choose between his wife and Novak. Unfortunately, he loves them both. ~ Sandra Brennan, All Movie Guide

Hungarian erotic thriller based on the novel Erzekek Iskolaja. Lily, a young gypsy girl, falls madly in love with a dashing salesman who introduces her to life's pleasures. When Lili discovers he is engaged to another, her life begins to spiral downward.

Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.

András comes to Budapest because he failed at his school-leaving exam and he would like his aunt, a maths teacher to prepare him for the next exam. The boy wants to be an actor and intends to get to Hollywood once. His cousins and friends are making a film.

The heroes of this crime-comedy attempt to get hold of money by a funny trick. They start operating the new post-office of the housing estate a week before the official opening, pocketing the revenue themselves. The inhabitants of the estate do not understand the trick, and loads of money pour to the swindlers.

When Hungary's newest prime minister is shot and killed at a reception, the resulting investigation is necessarily swift and comprehensive. This compelling political thriller uncovers two prime suspects: the woman who guns the leader down, and a man who was friends with both the prime minister and his murderer. Using video surveillance footage, as well as other more artful and symbolic imagery, the noted "visualist" director Miklos Jancso, who is known for his craft in getting his points across non-verbally, combines fantasy and reality in a highly ironic manner.

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

Jancso emphasizes highly evocative and ambiguous imagery over dialog or exposition. Here he seems primarily interested in showing the painful, stunted lives of Hungary's intellectuals, who are shown as remaining silent and ineffectual during various political crises. There are several action sequences involving chases and shootouts, but since there's no clear narrative we're not sure how they relate to each other or to anything else. The film is, however, visually fascinating, with shots of police cars, horses, and naked bodies juxtaposed and extensive use of multiple video imagery.

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.

The life of Tamás, antiquities dealer, runs in a normal, everyday way, he is stealing, swindling, cheating on his wife just like everybody else. Suddenly three men, who live in the attic, start harassing him. They construct coarse and unpleasant schemes against him and carry them into effect at the most unexpected times and places.

Story of the owners (Mastroianni and Schygulla) of a fancy nightclub in Budapest before and during WWII.

Never miss a satire if you'd like to have a wider view of the 60's or 70's (and maybe the 80's) Eastern Europe. Both the regime and behavior of people are pilloried, with many-many hints that show deeper details of the correlation of the two. And the creators didn't miss to have some words about the West and it's part of this history. But don't sit down to see the film if you'd like to have a light funny evening movie, 'cause that will lash up your feelings alright. The director is that same Peter Bacso, who directed the legendary satire 'A tanu' (The witness) which deals with the same historical era, the same relations between politics and the people, just from a little different point of view.

A typist girl who is under the influence of nervous breakdown walks out to the street stark naked from the office she works in. A young physician goes by accidentally and tries to help her, spreading his coat over her nude body. From this moment his life changes completely.

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Contemporary genre-painting of a Hungarian "middle class" family of four. The scene is the villa apartment almost finished, where the tourist guide mother, father who also works for the second economy and the lonely big girl preparing for her maturity examination turn up alternatively. It is only the teen-ager boy who really "lives" in this place: instead of attending school he stays home all day and observes the life of the surrounding by a self-made periscope. Internal communication of the family is accomplished in writing, on the pin-up board in the kitchen.

Réb went to the United States about 20 years ago and in the eighties he returns to Budapest with his teenager daughter...

1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.

Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.

To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.

The Hungarian Oh, Bloody Life reflects on the heavy emotional toll taken by the repressive Stalin regime. Dorotya Udvaros plays a young actress from a high-born family. The government bias against persons of wealth threatens to destroy her career before it begins. As a final blow, she is threatened with deportation. The exasperation inherent in the film's title is only the tip of the iceberg.

Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."

A country theatre wants to stage the historical play of the opposition author, who is famous abroad but it is well known, that he is fatally ill. The ministry unexpectedly bans the premier. The author is not informed about the decision and he wants - before his death - the costume rehearsal of the play. The director and his actors set up a false rehearsal at the price of a long night's tedious job.

Two old women who happen to be pickpockets stole money from Simon, the taxi driver. The police are unable to find the thieves, so Simon decides to find them himself.

The general practitioner Balla and his wife abandoning her higher education begin their common life in the small mountain village in the hope of quick enrichment and return to the capital. Despite Éva and Emma, the two school mistresses longing for love and Demeter, the dove-keeper obsessed with a desire for flight life is boring in the country.

"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.

Dini goes to Sweden illegally and abandons his fiancée, Mari. After several months a young Finnish businessman called Pekka arrives in Budapest, carrying a letter and package from Dini. The sympathetic Pekka is judged by the friends of Mari to be suitable for the task of a nominal marriage, by which Mari could get out legally to Dini.