Michel Safra

A woman seeks to avenge her father's death using a local dancer, with long poisonous fingernails, to do her bidding.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

A beautiful dancer has two admirers -- one is a young worker whom she has only met by accident, and the other is an unscrupulous businessman. The worker had been training as a Buddhist monk and as his interest in the dancer and the businessman's pursuit of the woman develop, the dancer and the former monk end up at the archaeological site of Angkor.

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

On Christmas Eve, Françoise, a manicurist at the Paris-Palace-Hotel, is invited to celebrate by Henri Delormel, an attractive fifty-something man. She later meets Gérard driving a Cadillac, and passes herself off as the wealthy Delormel's daughter. For his part, the young garage employee claims to own the vehicle.

A girl surviving on public welfare, fall into a life of prostitution.

In this romance, a jilted lawyer joins the French Foreign Legion to help him forget his faithless love. While in the desert he espies a village beauty who is the exact double of his true-love.

Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."

The evocation of Paris in the 1920s mingles with the rapid rise of the irresistible Caprice, a talented singer, and her tumultuous love affair with Jeff the composer. A photographer nicknamed Bagnolet, a gentle anarchist, gently monitors the activities of Caprice, who has become Lady Paname and, in the absence of morality, makes love triumph.

A group of Nazis and sympathizers board a submarine bound for South America in the hopes of finding shelter.

To try solving the strange disappearances of 11 young Parisian women, the police obtain the services of Adrienne Charpentier, friend of the latest missing person.