Evi Saoulidou

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.

When night falls, the cities of light open. The stars are not visible there. The idea of a dark city fills every part of it with fear. The vast starry sky remains untouched. Maybe it’s just there to remind people how small they really are.

10代の息子と小綺麗な家に住み、礼儀正しく身だしなみも良い弁護士の中年男性。何不自由ない暮らしを送っているように見えるが、彼の妻は不慮の事故で昏睡状態に陥っている。彼の1日は、妻を思ってベッドの隅でむせび泣き、取り乱すことから始まる。そんな彼の境遇を知り、同情心から親切になる周囲の人々。この出来事がもたらした悲しみは、いつしか彼の心の支えとなっていた。ところがある日、妻が奇跡的に目を覚まし、悲しみに暮れる日々に変化が訪れる。

‘A man. A woman. In a car. Fastened. Immobile. Blood. Silence.’ A suitably skewed short, from the team that brought us Dogtooth and Attenberg.

Niki when she was still a child she had a gift. A stuffed parrot that brought her luck. Thanks to that her father and his friends were able to win in gambling in order to make a living. One day though a friend of her's steals the parrot and as a result her father goes bankrupt and ends in prison. Niki as an adult she has to fight back her old friend in a poker tournament. Things get tough thou when she falls in love with him.

A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.

A young female character, Nikki Douka, from Samothraki, is sailing to the U.S. to fulfill a marriage contract and save her family honor. Her skills as a seamstress keep her busily sewing throughout the voyage to alter wedding dresses for the third-class voyagers. But along the way, she meets a young American photographer who is returning from the Middle East where he was snapping shots of the war in Smyrna, 1922. Her honesty, pride, and beauty attract the attention of the American who falls in love with her. Tribulations abound during the voyage, following the dramas of several unfortunate young women upon whom nasty characters preyed, as Nikki struggles with her feelings for the photographer.

Nicolas is a shepherd. He is around twenty years old, thin and spirited. Constantina is eighteen years old. Constantina fell in love with Nikolas the very first time she saw him with his lyre at the bull sacrifice ritual. She entered the whirlpool of ecstasy and became his lover. Their relationship was clearly physical, all other things were setting them apart. Constantina decides that they should break up. "We come from different places and head in different directions", she says. When she finds out that she is pregnant, she does not tell Nikolas.