Executive Producer
Bob is a 65 year old Jewish New Yorker who went to Woodstock at 15, designed bathrooms for Elton John and Janet Jackson and is funny and full of life.
He also only has one week to live.
Diagnosed with Parkinson’s, Bob has decided to end his own life using Death with Dignity laws and MAN ON EARTH is the inspiring, surprisingly funny and heartbreaking portrait of Bob's last week on earth.
With unflinching intimacy and incredibly unique access, our film follows Bob as he tries to make peace with his family, the love of his life and himself, right up until he takes his last breath.
Deeply compassionate, MAN ON EARTH is a meditation on time and mortality, asking the big questions, “How do we face death when it comes?” and “What does it mean to live a complete life?”
Directed by acclaimed filmmaker Amiel Courtin- Wilson with sound design by Academy Award Winner Robert Mackenzie, MAN ON EARTH is a cinematic journey with an unforgettable human being.
Bob will stay with you forever.
Producer
A look at the careers of retired police officers, as described in their own words.
Executive Producer
A look at the careers of retired police officers, as described in their own words.
Executive Producer
In the middle of Australia’s divisive marriage equality vote, Melbourne hosted a gala event to honour and celebrate its LGBTIQ elders. These are their stories.
Executive Producer
A year after the boys crossed dimensions, discovered magic and battled the restoring demon, they are back home in Bremin and are struggling with everyday teenage life. Felix has high hopes for the four heroes. He wants them to push the limits of their magical ability, working as a team to become masters of the arcane. But although he's unwilling to admit it, the boys have grown apart. The boys, once in perfect magical and elemental alignment, are a tangle of rivalry and distrust. On the verge of separating, the Nowhere Boys are drawn together for one last spell when Felix discovers a magically sealed 'Book of Shadows'. Unwittingly this releases a powerful force of chaos, and the gang is reluctantly drawn into a showdown that threatens their world and all they love...
Producer
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
Producer
Kate is on a plane taking Warren, her 18 year old Torres Strait Islander foster son, to meet Flo, his birth mother, who is gravely ill in hospital in Brisbane. Flo hasn't seen Warren since she took him to the hospital on Thursday Island when he was a toddler and the white authorities took him away. But as Warren, Flo and Kate all prepare themselves for the reunion, unbeknown to them, Kate's Brisbane based parents, Keith and Dellmay, are planning a different kind of reunion.
Executive Producer
A documentary of a gay couple's determination to be parents despite considerable legal and cultural limitations. Prevented from adopting a child, or accessing IVF facilities or commercial surrogacy in Australia, Tony Wood and Lee Matthews embarked on an international surrogacy arrangement that takes them to Iowa for the birth of their son.
