“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.
Charming 60-something José returns to Prague after 30 years living in Mexico, though he was convinced that he would never see his hometown again. He was persuaded by his deeply religious Mexican wife Dolores, who is convinced that only a miracle that might be fulfilled by Prague’s famous Infant Jesus can help their daughter Penelopé get pregnant. And the ideal time for this is Christmas. And when Ruda, his friend from Prague, also insists, José agrees to return to the places he used to know and to the memories that they bring back – including his former Prague love. And it becomes evident that the Infant Jesus is not the only one capable of making miracles come true in Prague. Penelopé’s longed-for conception is definitely not the only one…
Adolescence is always a difficult time; it is doubly so for Gábina. For one thing, she is growing up in the normalization years of the 1970s, and then she also has to face the reality that her father is a well-known actor disavowed by the regime. Although he abandoned the family years before, his existence casts an ominous shadow over the lives of not only Gábina, but also her older sister and mother, who are trying to find a civilized way through the social mire of the times.
