Susan Edwards

In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

Renowned for his extreme generosity, the Athenian nobleman Timon has fallen prey to flatterers and false friends, on whom he showers lavish gifts and extravagant hospitality. His loyal steward, Flavius, tries to warn him of the financial consequences of such reckless expenditure, while the cynical philosopher Apemantus mocks his naivety, but Timon ignores them both. When his money runs out and his creditors demand payment, Timon sends confidently to his "friends" for help. When all refuse him, he throws one last party - one that heralds a dramatic change in his attitude to the world.

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.

A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.

This scintillating production of Shakespeare’s boisterous comedy will stir your emotions even as it challenges you with its pointed social commentary. Is the story of Kate and Petruchio one of courtship or of conquest? The breaking down of a defiant spirit or a breakthrough that liberates a heart deprived of love? You decide – but either way, this is an experience not to be missed!

Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.

Women Who Act is a project that will take an in depth look at the careers of some of the biggest actresses in Canadian film and television. Patricia Rozema (Director, Screenwriter) will thoroughly explore the careers of some of Canada's most famous actresses, including Andrea Martin, Elliot Page, Sandra Oh, and Tatiana Maslany.