Orson's Grandma
A gang of teenagers accidentally inherits a bag of drugs. They try to sell them back to their original gangster owners, but when that goes awry, they are reluctantly drawn into a protracted and bloody gang war. Meanwhile, they are neglected at home, and must deal with family abuse as well as the gangsters.
Line Producer
Andie and Ira sincerely think that they are deeply in love and ready to face the world. They attempt to tie the knot and build a life of their own. Their parents are shocked by their children's behavior until they realize their shortcomings led the kids to run away from their boarding school.
Line Producer
This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.
The film concerns the attempts of Fidel to resume a normal life after the devastation wrought by his wife's death. He returns to his old friend Crispin and wife Irene. A tentative effort with another woman fails, and Fidel finds himself in Irene's arms. That same evening a young girl is brutally murdered. Fidel, unable to account for his whereabouts, is named the principal suspect, which later leads to his imprisonment. Crispin, meanwhile, learns of Irene's infidelity; his friendship is put to the test when Fidel escapes, gets wounded, and asks Crispin to kill him and put him out of misery.
Producer
Abbo de la Cruz's fable tells of three men who find a suitcase full of money.
Producer
Oro, Plata, Mata follows two aristocratic families in Negros during World War II. It is structured in three parts: Oro a life of luxury and comfort in the city, Plata a still-luxurious time of refuge in a provincial hacienda, and finally Mata a toilsome retreat deeper into the mountains.
At the turn of the century, Maruja Isable Sevilla y Mira poisons herself when forced to marry a man she does not love. Several decades later, she is reincarnated as a young producer-actress, Nina Concepcion. Nina is hell-bent on filming the legend involving the couple of ill-starred lovers. However, wandering ghosts and possessions by entities in a haunted ancestral home keep Nina's cast busy. Events come to a height when the past collides with the present.
