Yuri Laguna

This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.

A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides’ Gaze.

Gustavo travels to the desert of Wirikuta in search of native species for his research. During his journey into the desert a series of strange events haunt him until one night he is assaulted, losing all of his belongings. The will to survive forces him to start the trek across the desert. It seems all is lost until Ana, his dead wife, appears. With the help of an old Huichol, Gustavo will confront his past and present life.

Julia and Moises fell in love and got married when they were young, idealistic, and passionate; now in their 30s, their marriage has cooled and their lives have sunken into the mediocrity they had sought to avoid. This realization inspires a quest to regain the lost dreams of their youth, which is complicated when a handsome student begins to pursue Julia. She begins an affair with the fiery young activist that may just put the excitement back into her marriage. This is a funny and insightful exploration of the intricacies of relationships, love, and idealism, and Jesus Ochoa as Moises turns in a stellar performance.