Yuri Ancarani

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

Children’s drawings made during complicated visits to their parents. For them San Vittore is a castle.

At dawn, goats leap about in a run-down graveyard while late-night dancers welcome the morning sun. In a remote Haitian village there is a dance with slaves and masters: the whipping zombie ritual. To trance-inducing music played by rara bands, men whip and fight until they die and are reborn in the infinite cycle.

Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. The opulence of this Middle Eastern gas state is on full display as the men race SUVs up and down sand dunes, fly their prized falcons around on private jets, and take their pet cheetahs out for desert spins in their souped-up Ferraris.

Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. The opulence of this Middle Eastern gas state is on full display as the men race SUVs up and down sand dunes, fly their prized falcons around on private jets, and take their pet cheetahs out for desert spins in their souped-up Ferraris.

Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. The opulence of this Middle Eastern gas state is on full display as the men race SUVs up and down sand dunes, fly their prized falcons around on private jets, and take their pet cheetahs out for desert spins in their souped-up Ferraris.

A forensic study of Milano’s famous football stadium that builds an increasingly intense anticipation and suspense as game-time approaches.

Séance is a meeting between the psychologist Albània Tomassini and Carlo Mollino, dead in 1972. Fulvio Ferrari, tenant of Casa Mollino, serves the dinner to the two guests, one is visible and one is invisible. Ancarani shoots the unique conversation where Mollino speaks about the sense and the aim of his passed life and his new direction towards perfection, which is possible only in other dimensions.

A series of 13 videos made between 2000 and 2009 shown together for the first time. Starting with the “musical” writings of Pier Vittorio Tondelli, Ancarani retraces the changes that have come to Romagna’s ‘riviera’ in recent decades: immigration and petrochemical plants amidst timeless landscapes.

A series of 13 videos made between 2000 and 2009 shown together for the first time. Starting with the “musical” writings of Pier Vittorio Tondelli, Ancarani retraces the changes that have come to Romagna’s ‘riviera’ in recent decades: immigration and petrochemical plants amidst timeless landscapes.

An operating theatre takes on aspects of an alien autopsy as a surgical robot performs a delicate procedure on a human patient. Travelling through the body as if it were an undiscovered seascape, we see human anatomy in shades of blue, as a visceral, undulating unknown. Science fiction collides with scientific fact in this probing contrast between hard and soft, clinical precision and human vulnerability. Angie Driscoll

An operating theatre takes on aspects of an alien autopsy as a surgical robot performs a delicate procedure on a human patient. Travelling through the body as if it were an undiscovered seascape, we see human anatomy in shades of blue, as a visceral, undulating unknown. Science fiction collides with scientific fact in this probing contrast between hard and soft, clinical precision and human vulnerability. Angie Driscoll

An operating theatre takes on aspects of an alien autopsy as a surgical robot performs a delicate procedure on a human patient. Travelling through the body as if it were an undiscovered seascape, we see human anatomy in shades of blue, as a visceral, undulating unknown. Science fiction collides with scientific fact in this probing contrast between hard and soft, clinical precision and human vulnerability. Angie Driscoll

A group of six scuba divers that specialize in deep underwater operations lives for a period of three weeks at the bottom of the ocean, conducting work on board of the platform Luna.

Monte Bettogli, Carrara: in the marble quarries men and machines dig the mountain. The Chief manages, coordinates and guides quarrymen and heavyduty machines using a language consisting solely of gestures and signs. Conducting his dangerous and sublime orchestra against the backdrop of the sheer slopes and peaks of the Apuane Alps, the Chief works in total noise, which creates a paradoxical silence.