Vitor Graize

1983 - A young biologist returns home from studies abroad, and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends lost and the future uncertain.

1983 - A young biologist returns home from studies abroad, and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends lost and the future uncertain.

Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.

A documentary about the creative process of Arrigo Barnabé

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.

The world ends and Emanuel needs to guide João to the portal that takes the deserving to eternity. Emanuel is desperate to ascend, but João will challenge the master's right to paradise. A queer-Christian adaptation of the Apocalypse: Book of Revelations.

There is a house by the river. In this house, a woman. Her eyes carry a sadness. In her solitude, the river becomes her main companion, her confidant, and finally her lover.

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.

The painter Lauro seems to have a good life: he lives with his beloved wife Erika, and is successful working with art. However, he is not happy. One day, Lauro runs into Theo, a friend he hasn't seen in years. Both have already been in love with the same girl, Clara, who no longer lives in the city. It doesn't take long for the two to start remembering them as stories from the past, while taking a long walk through the streets of Vitória.

Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.

Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.