Trilok Kapoor

Thousands of years after the war of Lanka, a mutant demon warrior is back with a vengeance. Resurrected after the apocalyptic war, this dark force Raaka, has set his eyes on what all human eyes have failed to see, the hidden land of the Vaanars and his nemesis, Hanuman! He is the only hurdle en-route the evil enterprise of reawakening the Asura race. Watch this thrilling story unfold.

After his wife dies, a doctor keeps seeing her image and refuses to believe she is dead.

A dying Thakur Surjeet Singh bequeaths the entire estate to his son, Raghuvir, disowning the other, Dhurjan, the family's black sheep, who also indulges in black magic. The latter swears to use magical powers to usurp the estate, and even arranges the abduction of Raghuvir's daughters, Sapna and Aarti. Mangal and his men manage to apprehend Dhurjan, imprison him in a dungeon, and rescue Aarti. However, they are unable to locate Sapna, and Raghuvir gets killed. Before dying, he informs Mangal that Sapna has one of two pieces of a locket around her neck, while the other is on Aarti's, and when joined together will reveal the location of a treasure buried in a dungeon. 20 years later, Aarti and her boyfriend, Vijay, along with several others, will attempt to unearth this treasure - not realizing that they not only face betrayal from one of their own, but will also release and fall prey to an ageless and indestructible entity.

Ganga Singh lives near Gangotri with her brother, Karam. One day she comes to the assistance of a young man, Narendra Sahay, who has come with a group of Calcutta-based college students to study the source of the holy river Ganga, and to get some holy water for his wheelchair-bound paternal grandma. Both are attracted to each other, and on the next Puran Mashi get married, and spend the night in close intimacy. Narendra leaves, but promises Ganga that he will be back soon. Months go by, but he does not return. She gives birth to a son, and as soon she is able to, she starts her journey to Alipor, Calcutta, to confront Narendra and ensure a better future for their son.

Suman lives a wealthy lifestyle along with her widower dad, Thakur Ranvir Singh, and an unmarried aunt, Damyanti, in a palatial house in Bombay. They are direct descendants of Raja Hariman Singh of Bijapur. When Ranvir finds out that Suman is in love with a middle-classed male, Sanjay, he expresses displeasure and forbids her to ever see him again. When she persists, he tells her that there is a curse on the entire family - a curse that was inflicted 200 years ago by a blood-thirsty, flesh-eating demon named Samri.

Young Seema lives a middle-classed lifestyle along with her grandmother and maternal uncle, Kamdev. She is friendly with Rajesh, and another young boy, Sanjay, also wants to be her friend, but she rejects him. Then the region is devastated by floods and she is separated from Rajesh. Years later, Seema has grown up and much to her delight gets re-united with Rajesh. Her grandmother happily arranges their marriage. On the day of the marriage, a beautiful young woman, Prema, along with a young child in her arms, stops the marriage, claiming that Rajesh is already married to her and is the father of her child. Watch what impact this has on Seema and on her grandmother.

Two close friends decide to enter law enforcement, one as a police officer, the other as a lawyer, but their friendship begins to unravel when they both fall in love with the same woman.

A convicted murderer saves the lives of the passengers who meet with a train accident in a desert and protects them from a gang of criminals.

A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.

Rajesh is in love with Kamini in their college days. But he chooses to become a revolutionary freedom fighter and abandons Kamini due to the fear that he might die during his struggle leaving her as a widow. The vicissitude of time, however, gets Kamini married to Dheeraj Kumar, a police inspector, and also a friend of Rajesh. Rajesh takes refuge at Dheeraj's government quarters and encounters his past as he meets Kamini again. Eventually, Dheeraj finds out about their past relationship. He is encountered with the challenge of believing the chastity of his marriage or the doubt in his mind whether his trust has been broken while he was away from home on duty.

Dhun comes from a wealthy and talented family and desires to see the world on his own. He sets upon this travel and on his journey comes upon an inn called Five Daughters, run by Pahar. Deciding to stay there for a while, he meets Pahar's daughters and falls in love with Pooja. Pooja reciprocates his love and both hope to get married. Just when their marriage is being planned, Pooja's family comes to learn that Dhun and Pooja are related.

A retired policeman sees a killer he thought had been dead for twenty years, and the next night he is killed. The killer is blackmailing the head of a bank, and forcing him to participate in a robbery of his own bank. He is replaced by the son of the policeman, who is hunting for his fathers killer. A rarity in 70's Bollywood since it does not contain any musical interludes.

Moti is a merchant who sells jaggery in the market, with the help of an older woman, Mahjubhi, who makes exemplary jaggery. He is in love with a village girl, but cannot afford to pay the dowry/marriage expenses to her father. So he decides to marry Mahjubhi, while secretly harbouring the dream of saving enough money for dowry and marrying the village girl. After marrying Majubhi, Moti extracts a lot of work from her to this end. He eventually does collect the amount and divorces her, accusing her of infidelity. Shortly after that he marries the village girl, and goes back to his business of selling jaggery, but faces the consequence of losing Mahjubhi's jaggery.

In the state of Madhya Pradesh, India, particularly in the Chambal Ravine there are abundance of bandit gangs, chiefly consisting of Brahmans and Thakurs, both carrying on their age-old rivalry and hatred for each other from generation to generation. Our story revolves around Brahman Pandit Tulsiram who betrays Thakur Bahadur Singh to the police, and as a result Bahadur is sentenced to be hanged.

The Bombay police is baffled at a series of robberies being committed in homes of prominent people, with the thief leaving a swastika and stealing only one set of jewellery instead of everything in the safe. Their investigation takes them to bring in a notorious burglar, Tony, who denies having anything to do with these robberies.

Lord Parshuram, a reincarnation of Lord Vishnu, beheads his mother to prove that duty comes before anything else. Later, he takes upon himself the task of restoring peace on earth.

Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. (Wikipedia)

The movie revolves around a young mischievous boy named Mirza who is sent away to his uncle's home for further studies. Mirza is passionate about archery and is an expert at it. He starts living with his uncle where he meets his uncle's daughter Sahiban.

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Seeta was a 1933 Indian talkie Bengali film, directed by Debaki Bose and produced by the East India Film Company.[1] It won an honorary diploma in the 2nd Venice International Film Festival in 1934, becoming the first Indian talkie to be shown at an international film festival.