Victorien Sardou

Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melodies, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex, with much-loved Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her "Tosca" at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of "prima donna assoluta." On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

Puccini’s musical thriller of lust, murder, and politics is one of the most dramatically riveting operas in the repertoire. Luc Bondy’s production, with sets by Richard Peduzzi and costumes by Academy Award-winning designer Milena Canonero, opened the Met’s 2009–10 season. Karita Mattila stars as the beautiful and dangerously impulsive singer Floria Tosca. Marcelo Álvarez is her lover, the painter Cavaradossi, a political enemy of the powerful chief of police, Scarpia (George Gagnidze), who wants Tosca for himself.

アンジェラ・ゲオルギュー(ソプラノ)/ロベルト・アラーニャ(テノール)/ルッジェーロ・ライモンディ(バリトン)/マウリツィオ・ムラーロ(バス) 他/アントニオ・パッパーノ(指揮)/コヴェント・ガーデン王立歌劇場合唱団&管弦楽団/ティフィン少年合唱団

Princess Fedora, who is to marry the Count the following day, arrives and sings of her love for him, unaware that the dissolute Count has betrayed her with another woman. The sound of sleigh-bells is heard, and the Count is brought in mortally wounded. Doctors and a priest are summoned, and the servants are questioned. It is proposed that Count Loris Ipanov, a suspected Nihilist sympathiser, was probably the assassin. De Siriex (a diplomat), and Grech (a police inspector) plan an investigation. Fedora swears on the jewelled Byzantine cross she is wearing that Count Andrejevich's death will be avenged.

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.

Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2), and the Castel Sant'Angelo (Act 3).

Catherine Hubscher, laundress, saves the life of an Austrian nobleman with the complicity of her fiancé, Sergeant Lefebvre, the day when royalty collapses. And then the years pass ... Become Marshal of the Empire and Duke of Danzig, ex Sergeant Lefebvre always has for wife Catherine, the ex laundress; and this, in spite of the efforts made by the Emperor Napoleon to have him divorced, the Emperor blamed him strongly for the lack of distinction of Catherine. Faced with the Marshal's refusal, Catherine was summoned to the Emperor's house and the dialogue between them lacked heat to say the least, until the former lieutenant Bonaparte recognized in Maréchale Lefebvre, Catherine the laundress, who once , gave him credit for his laundering debts.

Rome, 1800. Napoleon threatens the power of the Church and executions of Jacobins are constant. Angelotti, the most famous of them all has escaped from prison and the chief of police is on his tail. Angelotti is being helped by a painter, lover of "La Tosca", a famous singer. The police chief suspects the truth and tries to arouse the jealousy of "La Tosca" to catch the escapee.

Catherine Hubscher, who washes the shirts of young Napoleon and other soldiers fighting the Revolution, falls in love with Sergeant Lefebvre. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control.

When a woman finds out that her husband is being unfaithful to her, she decides to give him a dose of his own medicine, making him jealous with another suitor.

The story of the tragic love of Count Loris Ipanov, a Russian nihilist, for the Princes Fedora Romanov.

Brussels in the year 1568, as the Flemish people are fighting against the tyranny of the Spanish occupiers. Led by Count de Rysoor, the revolt against the ruthless Duke of Alba, is meant to help Prince William of Orange to get into the city and come to power. Now, the count's lieutenant, has an affair with Elisabeth, Rysoor's wife. For the time being, the count, who thinks of his homeland first, turns a blind eye. But such a relationship might well undermine the whole rebellion movement.

Mrs. Pérez wants to get divorced because she believes that her husband is unfaithful to her.

During the Directory, a handful of royalists tried to get the Dauphin Louis XVII to escape from the Temple.

In Napoleonic times, a passionate Parisian washerwoman becomes Duchess of Dantzig and almost Queen of Westphalia.

This film relates the story of Russian Princess Fedora (Louise Ferida), in Czarist times, whose royal lover is assassinated on the eve of their marriage. She pledges vengeance, only to become the victim of her vow when she falls in love again.

Deals with the ordeals of a crude washerwoman in the chic court of Napoleon the First. Based on the play of the same name.

A happily married woman sees a psychoanalyst and develops doubts about her husband.

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

A silent film directed by Ludwig Berger.

Heroine Dora de Zares comports herself in a most mysterious fashion in this spy mystery.

Gaston Fleury's wife, Loulou, takes a perfunctory interest in music but a deeper one in a musician named Maurice.

A French washerwoman becomes a duchess and a friend of Napoleon.

Film version of the play.

A bit too immature for marriage, Cyprienne allows her pretty head to be turned by an egotistical fop. The girl demands that her husband Prunelles grant her a divorce, but he devises a scheme to bring her back into the matrimonial fold.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. (IMDb) Only a fragment of this film is known to still exist.

“Madame Tallien” (1916) depicts the libertine life and loves of the eponymous decadent aristocrat, an important activist who was ahead of her time in deciding to make both love and war before, during and after the French Revolution . She even caused Robespierre to lose his head (literally) because of her.

The story takes place in Monte Carlo, where the impoverished Julian proposes marriage to the wealthy Dora, only to be turned down by the girl's mercenary mother. Several years later, Julian manages not only to obtain a huge fortune, but also a prominent position in the British diplomatic service. Now a suitable husband for Dora, Julian marries the girl. Alas, their happiness is short-lived.

At a dance given by Earl Dexter, his wife, for the gratification of a whim, wears a beautiful pearl necklace recently purchased by Viscount Acheson. Craig Dare, who is a gentleman thief, makes love to Earl Dexter's wife, and at the same time succeeds in stealing from her the pearl necklace and handing it out of the window of the house to Tony Oscaros, a chauffeur, who is none other than Dexter, who is leading a dual life.

An adaptation of Sardou's play "La Tosca."

The fabled queen of Egypt's affair with Roman general Marc Antony is ultimately disastrous for both of them.

Rome, June 1800. Floria Tosca is a celebrated opera singer, better known as La Tosca. Her lover is Mario Cavaradossi, a young artist and Bomapartist sympathizer. When the latter helps Angelotti, the leader of the opposition, to escape from prison and hides him in La Tosca's home, he antagonizes Baron Scarpia, the ruthless chief of police, all the more as his love for Tosca is unrequited. Scarpia has Mario arrested and condemned to death. Upset, Floria begs the Baron for her lover's life. He accepts to have the bullets of the firing squad replaced by blanks if... she sleeps with him. She agrees nominally but when she finds herself with Scarpia, she stabs him to death. She then goes to see Mario in his cell and lets him know about his phony execution. But Scarpia had had time to get the order reversed and in the early hours of the morning, Mario is executed in the proper manner. In despair, Tosca throws herself into the void...