Agnes
Erika Möttl
HANNA loves YANN and the lettres filmees that he sends her, short, poetic films recorded with an iPhone. Yann loves Hanna, but mistrusts her. He leaves her, but does not leave her alone. ...
Taxifahrerin
John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…
Petra
Follows "Live is Life" aka "Die Spätzünder".
Petra
A greater-Vienna seniors' home is run like a prison by the stuck-up female executive and staff. Hippie-type rebel Rochus 'Rocco' Siwak incurs a community service to be spent there as orderly. Sympathizing with seniors who still aspire to some dignity and self-realization, he helps them get around the rules, such as smuggling in contraband, and ends up inspiring them to form a rock band and enter a free podium competition. But it doesn't square with his own last shot as band guitarist.—KGF Vissers
Astrid
A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block.
Agnes
Due to her alcohol addiction and a resulting car accident, Michi has lost the trust of her young daughter Hanna and her husband Alex. After the sudden death of Michi's estranged father, the young family drives to her parents' house in the country. After the funeral, Michi decides to stay there for a few days with Hanna hoping to regain her daughter's trust. Soon repressed memories of Michi's childhood and the suicide of her mentally ill mother surface. She numbs herself with alcohol and drives another wedge between herself and her daughter. At the height of her madness, Michi must confront her own demons to save her daughter.
Three people are taking their lunch break. In just a few minutes their lives will be torn into pieces.
Sabine Mitterhuber
In her efforts to obtain accommodation and thus a residence permit in Austria, Marinela, an overburdened single Romanian mother, relies on her daughter Ilinca as a mediator and translator. The 8-year-old, however, has other plans.
