Boris Lehman

Boris Lehman

出生 : 1944-03-03, Lausanne, Switzerland

略歴

Boris Lehman, born March 3rd 1944 in Lausanne (Switzerland), is a Belgian filmmaker whose work is oriented towards experimental cinema, cinematographic essay, filmed news and documentary.

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Boris Lehman

参加作品

Ghosts from the Past (How History Got into Me)
Director
How to talk about History, the big one and the small one, ours and that of each of us? Watching television, browsing the Internet, rummaging through the stock of world archives? Or more simply, going back to our own images that built us?
Une Histoire de Cheveux (Sibérie)
Histoire de mes cheveux ended with a shot where I found myself locked in a concentration camp. I had said shortly before that I was glad I finally arrived home. A song of hope, however, echoed with a fantasized happy ending (Hollywood kiss) and a song that heralded spring. In reality the film did not end there. There was a second part to this story. The first tells the story of the condemned man, the second that of the survivor. And so the film had to start with a scene that could never be shot where I was escaping from the camp.
Une Histoire de Cheveux (Sibérie)
Director
Histoire de mes cheveux ended with a shot where I found myself locked in a concentration camp. I had said shortly before that I was glad I finally arrived home. A song of hope, however, echoed with a fantasized happy ending (Hollywood kiss) and a song that heralded spring. In reality the film did not end there. There was a second part to this story. The first tells the story of the condemned man, the second that of the survivor. And so the film had to start with a scene that could never be shot where I was escaping from the camp.
Boris Lehman à Toulouse
Mai 68 en 2018
Director
Funeral (On the Art of Dying)
Director
"This filme is the 'last' episode of my auto-cine-biographic work Babel, which covers more that thirty years of mu life and it started in 1983 with 'Letter to My Friends who stayed in Belgium'. It can be considered my living will." Boris Lehman
Lapses, Regrets and Qualms
Producer
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
Lapses, Regrets and Qualms
Writer
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
Lapses, Regrets and Qualms
Director
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
Lapses, Regrets and Qualms
Himself
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
14Reels
Director
14Reels is a collective film in Super 8, where 14 directors in 14 cities around the world have filmed and edited in camera one reel each on the theme of the city.
Before the Beginning
Director
"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their differences in language and style, the film is mainly an attempt to imitate, or even to become, the other, which is doomed to failure. But the film is in fact the story of this collision" - Boris Lehman
L'art de de s'egarer ou l'image du bonheur
Director
The last day of the life of German Jewish writer and philosopher Walter Benjamin (1892-1940). The director re-routes Walter Benjamin between Cerberus and Port-Bou before his suicide. When we started shooting, the director's camera was stolen. The film incorporates this episode and attempts to reconcile two fates.
My Seven Places
Himself
Seven apartments, seven times of life: one film. A classic diary film, Boris Lehman intimately chronicles his own existence and that of objects and places that became an essential part of his life. A truly cinematic experience that gives us a highly European sense of space, time and history itself.
My Seven Places
Director
Seven apartments, seven times of life: one film. A classic diary film, Boris Lehman intimately chronicles his own existence and that of objects and places that became an essential part of his life. A truly cinematic experience that gives us a highly European sense of space, time and history itself.
My Conversations on Film
Writer
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
My Conversations on Film
Himself
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
My Conversations on Film
Director
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Paradox
Director
Paradox
Himself
L'Artifice et le factice
Still Photographer
"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.
La Marelle et les Epouvantails
Writer
La Marelle et les Epouvantails
Director
La Marelle et les Epouvantails
Vie
War is Looming
Architecte
This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site through the concrete and physical data visible on the ground perceived as a holed-out space mined by disappearance, in particular the buildings, which subsist as ruins. This film is less preoccupied with drawing lessons from history than fuelling the present with a history that, like a blinding mirror, is of the utmost concern.
Plaisir du paradis
Director
Story of My Hair
The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
Story of My Hair
Producer
The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
Story of My Hair
Scenario Writer
The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
Story of My Hair
Director
The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
Choses qui me rattachent aux êtres
Director
The filmmaker does an inventory of the objects he has received from his friends or relatives. Through that variety of things that binds him and his beloved ones together, he tries to take interest in the notion of identity in an indirect, metonymic and multiple way: the part represents the whole, the object represents the individual to whom it now belongs but, at the same time, its original owner.
The Dreamed Films
Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.
Déconstruction
The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
Un peintre sous surveillance
Director
Une belle croisière
Director
A boat ride to celebrate a birthday with friends becomes the pretext for a film shoot. A family film that quickly turns into a fable and a biblical tale. It is the story of Noah's Ark, braving the flood and saving a few remnants of humanity, which is stranded on Mount Ararat.
Alterations and Repairs
Portrait of Richard Kenigsman by Boris Lehman.
Alterations and Repairs
Producer
Portrait of Richard Kenigsman by Boris Lehman.
Alterations and Repairs
Director
Portrait of Richard Kenigsman by Boris Lehman.
Trying to Describe Oneself
Producer
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
Trying to Describe Oneself
Writer
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
Trying to Describe Oneself
Himself
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
Trying to Describe Oneself
Director
Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
Red Mudh
Producer
Red Mudh
Director
Red Mudh
The Last Supper
Producer
The dialogue is based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of them movie-makers, filmed in front of the last house still standing opposite the new buildings of the European Union. Judas is played by Claudio Pazienza and Christ by Boris Lehman. The film was shot in a matter of hours on a Sunday morning, with an incredible decor in a street that had been razed to the ground by property developers, just before the police arrived.
The Last Supper
Director
The dialogue is based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of them movie-makers, filmed in front of the last house still standing opposite the new buildings of the European Union. Judas is played by Claudio Pazienza and Christ by Boris Lehman. The film was shot in a matter of hours on a Sunday morning, with an incredible decor in a street that had been razed to the ground by property developers, just before the police arrived.
The Last Supper
The dialogue is based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of them movie-makers, filmed in front of the last house still standing opposite the new buildings of the European Union. Judas is played by Claudio Pazienza and Christ by Boris Lehman. The film was shot in a matter of hours on a Sunday morning, with an incredible decor in a street that had been razed to the ground by property developers, just before the police arrived.
Man Carrying
The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.
Man Carrying
Producer
The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.
Man Carrying
Director
The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.
A for Adrienne
Producer
Adrienne is not my mother. She is not Jewish. I met her five years ago, at Edouard’s, where I’d gone to ask my friend to lend me a dinner jacket for the premiere of my film “Life Lessons”. She came to see the film and we began to meet often (Boris Lehman).
A for Adrienne
Director
Adrienne is not my mother. She is not Jewish. I met her five years ago, at Edouard’s, where I’d gone to ask my friend to lend me a dinner jacket for the premiere of my film “Life Lessons”. She came to see the film and we began to meet often (Boris Lehman).
Story of My Life Told by My Photographs
Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.
Story of My Life Told by My Photographs
Producer
Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.
Story of My Life Told by My Photographs
Writer
Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.
Story of My Life Told by My Photographs
Director
Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.
Le journal de Joseph M.
Tramp in Brussels
When the Night Goes Tango
Writer
The Image, The World
Director
In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this, he fights against the material and the ball, embraces it, lies down on it, twists and tramples it. Illusory victory or vain efforts?
The Image, The World
In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this, he fights against the material and the ball, embraces it, lies down on it, twists and tramples it. Illusory victory or vain efforts?
La dernière (s)cène ou l’évangile selon Saint-Boris
Director
A dialogue based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of themselves moviemakers, filmed in front of the last house still standing opposite the new buildings of the European Union. Judas is played by Claudio Pazienza and Christ by Lehman himself. The film was shot in a matter of hours on a Sunday morning, with an incredible decor in a street that had been razed to the ground by property developers, just before the police arrived.
Life Lesson
Producer
To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."
Life Lesson
Writer
To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."
Life Lesson
Director
To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."
Babel - A Letter to My Friends Left Behind in Belgium
Writer
"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who has a notion to follow in the footsteps of dramatist Antonin Artaud and visit the Tarahumara people of Mexico. This is a film about intimacy and friendship. Written in the first person, it places Boris and Brussels in the center of the universe, here represented by the crazy, vertiginous, endless spiral of the biblical Tower. It is Boris's diary and self-portrait. He plays himself on screen (as do the cast of a hundred who also allowed themselves to be "Babelized")
Babel - A Letter to My Friends Left Behind in Belgium
self
"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who has a notion to follow in the footsteps of dramatist Antonin Artaud and visit the Tarahumara people of Mexico. This is a film about intimacy and friendship. Written in the first person, it places Boris and Brussels in the center of the universe, here represented by the crazy, vertiginous, endless spiral of the biblical Tower. It is Boris's diary and self-portrait. He plays himself on screen (as do the cast of a hundred who also allowed themselves to be "Babelized")
Babel - A Letter to My Friends Left Behind in Belgium
Director
"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who has a notion to follow in the footsteps of dramatist Antonin Artaud and visit the Tarahumara people of Mexico. This is a film about intimacy and friendship. Written in the first person, it places Boris and Brussels in the center of the universe, here represented by the crazy, vertiginous, endless spiral of the biblical Tower. It is Boris's diary and self-portrait. He plays himself on screen (as do the cast of a hundred who also allowed themselves to be "Babelized")
Looking for My Birthplace
Director
Film director Boris Lehman returns to Lausanne, where he was born on 3 March 1944, at the end of the war.
Earthen Man
Producer
From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Earthen Man
Scenario Writer
From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Earthen Man
Director
From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Earthen Man
le modèle
From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Silent as a Fish
Scenario Writer
From pond to plate, we are shown the journey and destiny of one carp among many. This particular carp will be eaten stuffed during a family meal. Carp stuffed (in the Polish fashion), also called in yiddish (Gefilte Fish) is a traditional dish eaten by Ashkenazi Jews. It is cooked, sweetened and served as a cold dish at the start of the meal. The head is reserved for the head of the family. The film, set in Brussels, on the day of the Jewish New Year (Rosh Hashanah), aims to show the culinary preparation together with the accompanying prayers and ritual. It focuses particularly on the sacrifice of the fish and on the issue of mass extermination.
Silent as a Fish
Producer
From pond to plate, we are shown the journey and destiny of one carp among many. This particular carp will be eaten stuffed during a family meal. Carp stuffed (in the Polish fashion), also called in yiddish (Gefilte Fish) is a traditional dish eaten by Ashkenazi Jews. It is cooked, sweetened and served as a cold dish at the start of the meal. The head is reserved for the head of the family. The film, set in Brussels, on the day of the Jewish New Year (Rosh Hashanah), aims to show the culinary preparation together with the accompanying prayers and ritual. It focuses particularly on the sacrifice of the fish and on the issue of mass extermination.
Silent as a Fish
Director
From pond to plate, we are shown the journey and destiny of one carp among many. This particular carp will be eaten stuffed during a family meal. Carp stuffed (in the Polish fashion), also called in yiddish (Gefilte Fish) is a traditional dish eaten by Ashkenazi Jews. It is cooked, sweetened and served as a cold dish at the start of the meal. The head is reserved for the head of the family. The film, set in Brussels, on the day of the Jewish New Year (Rosh Hashanah), aims to show the culinary preparation together with the accompanying prayers and ritual. It focuses particularly on the sacrifice of the fish and on the issue of mass extermination.
The Dead Tree
Le patron du cabaret
The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South America.
Portrait of the painter at his workshop
Writer
The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice: that of the singer Esther Lamandier (who goes by the same name as Arié: Mandelbaum means «I'amandier»).
Portrait of the painter at his workshop
Director
The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice: that of the singer Esther Lamandier (who goes by the same name as Arié: Mandelbaum means «I'amandier»).
Portrait of the painter at his workshop
Himself
The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice: that of the singer Esther Lamandier (who goes by the same name as Arié: Mandelbaum means «I'amandier»).
Jean-Gina B.
apostle
This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.
Couple, regards, positions
Producer
A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Couple, regards, positions
Writer
A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Couple, regards, positions
Director
A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Couple, regards, positions
A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Brussels-Transit
Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
Symphonie
Producer
Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny apartment. He tells and he plays alone all the characters in his drama. He invents, deforms, imagines another end. He is at the same time the author, the narrator and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?
Symphonie
Director
Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny apartment. He tells and he plays alone all the characters in his drama. He invents, deforms, imagines another end. He is at the same time the author, the narrator and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?
Hérésie pour Magritte IV
Ocana, der Engel der in der Qual singt
Still Photographer
Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.
Cinématon IV
N°34
Reel 4 of Gérard Courant's on-going Cinematon series.
Cinématon
N°34 / N°468 / N°1463 / N°2292
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Magnum Begynasium Bruxellense
Writer
"’Magnum Begynasium Bruxellense’ is a living chronicle of the inhabitants of the Béguinage area of Brussels, so named because it is located over the site of the old béguinage. Conceived of as an encyclopaedic inventory, the film is composed of around 30 chapters interlinked like so many pieces of a jigsaw puzzle, or an anthill of numerous and overlapping galaxies. It unrolls itself in the spaces and cracks of a day, beginning at dawn and ending at night. Beginning: One day... A strange story came to me... I had just woken up from a long dream... End: I walked the length of the canal over the wet cobblestones with my eyes shut, between deep walls, under trees long ago defeated. It was winter. The sun blinded me. It did not warm me. I thought I was travelling towards death." (source: www.borislehman.be, translated at Argos)
Magnum Begynasium Bruxellense
Producer
"’Magnum Begynasium Bruxellense’ is a living chronicle of the inhabitants of the Béguinage area of Brussels, so named because it is located over the site of the old béguinage. Conceived of as an encyclopaedic inventory, the film is composed of around 30 chapters interlinked like so many pieces of a jigsaw puzzle, or an anthill of numerous and overlapping galaxies. It unrolls itself in the spaces and cracks of a day, beginning at dawn and ending at night. Beginning: One day... A strange story came to me... I had just woken up from a long dream... End: I walked the length of the canal over the wet cobblestones with my eyes shut, between deep walls, under trees long ago defeated. It was winter. The sun blinded me. It did not warm me. I thought I was travelling towards death." (source: www.borislehman.be, translated at Argos)
Magnum Begynasium Bruxellense
Director
"’Magnum Begynasium Bruxellense’ is a living chronicle of the inhabitants of the Béguinage area of Brussels, so named because it is located over the site of the old béguinage. Conceived of as an encyclopaedic inventory, the film is composed of around 30 chapters interlinked like so many pieces of a jigsaw puzzle, or an anthill of numerous and overlapping galaxies. It unrolls itself in the spaces and cracks of a day, beginning at dawn and ending at night. Beginning: One day... A strange story came to me... I had just woken up from a long dream... End: I walked the length of the canal over the wet cobblestones with my eyes shut, between deep walls, under trees long ago defeated. It was winter. The sun blinded me. It did not warm me. I thought I was travelling towards death." (source: www.borislehman.be, translated at Argos)
Le ventre, un supermonde
Editor
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority. revolt.
Mon délire, le Saint Michel
Editor
With an acute awareness of his condition as a mental patient, René Pacquot denounces all powers, and especially the practices of psychiatric hospitals, which he compares with those used in slaughterhouses: submissions by drugs, straitjackets and exterminations by electroshock. You have to see this film as a cry of revolt.
Autour de Jeanne Dielman
During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.
Album 1
Director
In July and August Lehman filmed 150 individuals in and around Brussels, and he himself was filmed by the same persons. Like in a kaleidoscope relatives as well as friends and strangers pass the eye of the camera. Album 1 is a silent film shot in super 8 that is intended to be screened with live sound: a piano improvisation and several voices that read texts by William Burroughs, Henri Michaux and the filmmaker himself, all these things make this screening a unique event.
Ne pas stagner
Producer
This film is not a document about madness, any more than a film-truth investigation. It is a reflection of the experience of the Club Antonin Artaud's theater group (social and cultural rehabilitation center for the mentally ill, located in the Begijnhof district of Brussels and in which Boris Lehman was a leader for many years). Through the playful and instinctive creation of a piece built from collective improvisations, the actors' desire is expressed to "not stagnate, to be able to get away with it and to stand on its own".
Ne pas stagner
Director
This film is not a document about madness, any more than a film-truth investigation. It is a reflection of the experience of the Club Antonin Artaud's theater group (social and cultural rehabilitation center for the mentally ill, located in the Begijnhof district of Brussels and in which Boris Lehman was a leader for many years). Through the playful and instinctive creation of a piece built from collective improvisations, the actors' desire is expressed to "not stagnate, to be able to get away with it and to stand on its own".
The bus
Assistant Director of Photography
"It's a very simple story, shot in a quiet street in Brussels. People waiting for the bus that is late, talking to each other, trusting each other, talking about the weather and giving each other practical tips. It is life as it is, in its troubling banality, that Van Antwerpen shows us. " (Luc Honorez, Le Soir, 1974).
Marins d'eau douce
Music
A wordless travel on a barge from Clabecq to Ruisbroek. This is the Boris Lehman’s student movie done for the INSAS school.
Marins d'eau douce
Director
A wordless travel on a barge from Clabecq to Ruisbroek. This is the Boris Lehman’s student movie done for the INSAS school.
Cinématon n°468 : Boris Lehman