Yoko Ueno

美空ひばりが音痴なバスガイドのヒロインと自分自身の二役を務めた青春映画。「ひばりのチャチャチャ」「リンゴ追分」などを披露する。共演は『マタンゴ』の久保明。 野溝トミコは、東京の真中を走るバスの見習車掌。大スターの美空ひばりに瓜ふたつだが、鼻の横にホクロがあるので“びばりちゃん”と呼ばれる人気者。トミコの悩みは、父親が家出してしまったことと、美空ひばりとは似ても似つかぬ大音痴なこと。だが、そんなトミコに、ある日、本物の美空ひばりに会うチャンスが巡ってくる。

Story about a poor Japanese woman living near an American army base who resorts to prostitution.

An Ishiro Honda film.

Jidai-geki by Kiyoshi Saeki

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

Jewel thieves become interested in an invisibility formula invented by Professor Nakazato and want to use his invention to acquire a diamond necklace called the "Tears of Amour."