Baldracchi
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Tortured Victim
A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.
Coming back from work by night, shy watchmaker Tommaso runs over a girl with his car, luckily without serious consequences. Next day he finds her waiting for him at his door. She asks him for help, as she can't remember anything prior to the incident.
Mario Neri
Orlando, giornalista
The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.
A thinly-disguised biography of African leader Patrice Lumumba, here called Lalubi. Lalubi, a Christ-like leader determined to save his people, by passive resistance, from the dictatorial regime propped up by European colonialists, is imprisoned and tortured, along with a thief who comes to a greater understanding through his contact with Lalubi.
