Stuart Marshall

参加作品

A Bit Of Scarlet
Writer
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
Blue Boys
Director
Blue Boys is a hard-news documentary which questions operations by the Police and Customs to smash so-called 'gay sex rings'. By talking to academic experts in the gay professions, and gay men who have come up against the law (including those convicted as part of the notorious 1990 sado-maochist 'Spanner' trial), the programme describes how the policing of pornography is fed by common prejudices against gay men and their culture. Blue Boys also looks at the relationships between Christian moral pressure groups, the government, and policing agencies (including the powerful Obscene Publications Squad of New Scotland Yard). It provides new evidence to challenge myths about the volume and violence of today's pornography and the dangers presented by it.
Over Our Dead Bodies
Director
This documentary traces the response to AIDS of gay activist groups in America and Britain. The film itself is also activist, giving platform to ACT UP, Queer Nation and Outrage, organisations fighting to keep AIDS and all the issues surrounding the disease in the public consciousness. Interviews are intercut with footage of meetings, demos and kiss-ins. The messages come hard and fast, with serious allegations levelled at church, state and health bodies. British lesbians and gays are criticised for failing to use grief and anger as political weapons for change. The opinions and statistics that dominate the film provoke a detached, intellectual response; only the few personal stories, and the scenes of demos where AIDS patients are manhandled by butch NYPD officers, encourage emotional involvement.
Comrades in Arms
Director
Gay men and women recall their secret lives while serving in the British armed forces during WWII.
Desire
Director
Sexuality in Germany from 1910 to 1945: beginning with back-to-nature mountain camps and schools that fused athleticism, same-sex intimacy, and nudity; the openly-gay bars during the Weimer Republic; and, Nazi suppression of male and female homosexuality. Historians discuss pedagogical Eros, Hirschfeld's theories and his institute of sexual science, and the Nazi's Paragraph 175, which outlawed homosexual behavior. Survivors describe intimidation and interrogation, the flight of friends, Himmler's edicts, and the confinement and death in concentration camps of gay men and women. The documentary ends at Amsterdam's monument to gay victims of the Holocaust.
Pedagogue
Director
A short performance to camera by solo performer/dramatist Neil Bartlett. Pedagogue explores in comic style the possible implications of Clause 28. Through Clause 28, the British Government took powers to outlaw the 'promotion of homosexuality' in education and local government.
Bright Eyes
Director
One of the earliest documentaries to deal with AIDS.
Still Life Animation
Director
Records a Portapak camera filming a seated man while the tape deck or the table it rests on is struck, causing the frame to skip each time.
Go thru the Motions
Director
Art film part of the REWIND + PLAY, An Anthology of Early British Video Art box-set.