Boo Ji-young

In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.

Jeong-eun is embarrassed that her mother, who is suffering from dementia, wants to meet and call her sister from who was separated with due to the Korean War. However, Jeongeun accidentally receives a wrong call from a North Korean woman and is asked a favor.

Jeong-eun is embarrassed that her mother, who is suffering from dementia, wants to meet and call her sister from who was separated with due to the Korean War. However, Jeongeun accidentally receives a wrong call from a North Korean woman and is asked a favor.

In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

The actors start to shoot themselves after they receive the cameras. Kim Kkot-bee goes abroad to shoot her friends from Breathless. She throws parties with her friends there and shoots a film. She also has a good time with her dear sister and brother. When Seo Young-ju finished her busy life with a performance as an actress and an assistant director after shooting a film, Seo leaves on a trip overseas to hibernate. She is thinking what she as an actress should do for the health of the earth. But her loneliness cannot be solved. Yang Eun-yong loves someone, but cannot contact with him. She drinks because of her agony, but cannot resolve her loneliness and thirst easily. However, there is the film in the center of them. Though it is tough, they reveal and discover their new faces through their films, the source of their energy. There is something in the actresses in the shaking cameras; that is what they are looking for.

The actors start to shoot themselves after they receive the cameras. Kim Kkot-bee goes abroad to shoot her friends from Breathless. She throws parties with her friends there and shoots a film. She also has a good time with her dear sister and brother. When Seo Young-ju finished her busy life with a performance as an actress and an assistant director after shooting a film, Seo leaves on a trip overseas to hibernate. She is thinking what she as an actress should do for the health of the earth. But her loneliness cannot be solved. Yang Eun-yong loves someone, but cannot contact with him. She drinks because of her agony, but cannot resolve her loneliness and thirst easily. However, there is the film in the center of them. Though it is tough, they reveal and discover their new faces through their films, the source of their energy. There is something in the actresses in the shaking cameras; that is what they are looking for.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

When a high school girl and a young man meet inside a subway, the two start to cry. The black and white film incorporates aspects of documentary filming, by means of inserting interviews throughout the film.