John Feeney

Documentary on various aspects of Kuwaiti life, the contrasts between a backward society that lives in the desert and a very modern society that lives in the city.

Documentary on various aspects of Kuwaiti life, the contrasts between a backward society that lives in the desert and a very modern society that lives in the city.

The film tells about the beliefs of African tribes, about where the waters of the Nile come, from the moon or from the fountains of the sun. The film is a historical document, as it is the only documentary film that depicted the recent flood of the Nile before the construction of the High Dam from its sources to its estuary in the context of an epic story from the date of the building of the pyramids and the Temple of Abu Simbel until the construction of the dam.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

Impressions of the lights of Christmas as they transform a winter's night. The myriad lights of a city seen through frost-sparkling air, the wonder on children's faces, the lyrical music of harp, celesta and flute--all combine to create the nostalgic mood of Christmas.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

This film shows how the Central Plateau of the North Island was transformed into fertile pastureland by the men of the Land Settlement Board and the Lands and Survey Department. Cobalt was imported from Canada and sulphur from Louisiana. Hillsides were burnt off and the soil ploughed, fertilised and sown with seed and phosphate.

This film shows how the Central Plateau of the North Island was transformed into fertile pastureland by the men of the Land Settlement Board and the Lands and Survey Department. Cobalt was imported from Canada and sulphur from Louisiana. Hillsides were burnt off and the soil ploughed, fertilised and sown with seed and phosphate.

This film shows how the Central Plateau of the North Island was transformed into fertile pastureland by the men of the Land Settlement Board and the Lands and Survey Department. Cobalt was imported from Canada and sulphur from Louisiana. Hillsides were burnt off and the soil ploughed, fertilised and sown with seed and phosphate.