K. M. Basker

K. M. Basker

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K. M. Basker

参加作品

Sultan Mahmood Mangkat Di-Julang
Director
Based on the royal and political events during the heyday of the Malacca Sultanate. A member of the Sultanate, Megat Datuk Seri Rama, successfully defeats a group of pirates, and rescues a local beautiful woman in the process. The king, Sultan Mahmud, was delighted with his victory for his kingdom and promotes Megat Datuk Seri Rama to Rear Admiral Datuk. This leads to resentment and jealousy from another member of the court, Bija Tun Ali, especially after Rear Admiral Megat Datuk Seri Rama marries the woman he rescued. Bija Tun Ali then leads a conspiracy against him which ultimately leads to tragedy and upheaval in the kingdom. Written by mahajanssen
Noor Islam
Director
Driven by his fears of angering his god and ruining his country, the pagan Raja sets out to eradicate the already persecuted pacifist Muslim minority. His only daughter, seeing the brutal efforts undertaken by her betrothed on behalf of the Raja.
Satay
Director
Filem about Kamil a son of a rich man. His father didn't like him to be fooling around girl especially low status girl. One day a kid appear at a park and pointed kamil as his father.
Mogok
Director
Workers at an Eveready battery factory are disgruntled because their wages are low compared to a neighbouring factory. The factory manager exploits the workers’ rising discontent by colluding with a traitor within the workers’ ranks to instigate a strike in the factory, part of a devious ploy to take over the factory from the benevolent but incapacitated factory owner/boss. The colluders create dismal working conditions and make use of every opportunity and incident to raise the call for a strike, to sour industrial relations in a bid to close the factory down so that they can coerce the boss to hand over ownership.
Hantu Jerangkong
Director
Chaos is unleashed in several villages by an old demonic witch who rises from the dead. In a creepy hut filled with kemenyan incense smoke, an old witch is performing a ritual with a skull on a pedestal. The skull then transforms into a talking head that laughs often! “Aku tidak mahu mati! (I don’t want to die)” she cackles, and the head grants her wish.
The Thief
Director
Jamilah, a singer of a traveling troupe is a strong-minded woman who has no desire for marriage. Umar, a poverty-stricken man, trespasses her room one night with the intention to steal. Unable to escape in time when Jamilah and her colleague Ismail return home, Umar pretends to be Jamilah’s estranged husband, much to her bewilderment. Umar confesses his dire circumstances to Jamilah, and she takes pity on him. A romantic friendship develops between the titular penchuri (thief) and the film’s heroine.
Insan
Director
The story of a child that ungrateful to his poor foster family
Surrender
Director
The film is a Malay film which was published in Malaysia in 1955. Films issued in the form of black and white film without color. The directed by director A.M. Basker in 1955 .
Ribut
Director
Storm is a Malay film which was published in Malaysia in 1955. Interestingly, the film was produced for Basker KM issued in the form of color or Gevaert Color
Hati Iblis
Writer
Aini (Aini Hayati) is left to fend for herself after her father passed away from sickness. She finds employment as a maid for a nasty woman, who seems to be in a persistently vengeful mood and showers her with verbal and physical abuse. Rather coincidentally, Aini’s boyfriend Ramlan (Ali Rahman) happens to be the brother-in-law of the abusive employer. Aini confides her sorrows to Ramlan, who clearly identifies with her grim view of life, being unemployed and in a pretty forlorn state himself. Nonetheless, Ramlan is from a middle-class background and his proposal to marry Aini, who is considered socially inferior, is met with outright disapproval.
Hati Iblis
Director
Aini (Aini Hayati) is left to fend for herself after her father passed away from sickness. She finds employment as a maid for a nasty woman, who seems to be in a persistently vengeful mood and showers her with verbal and physical abuse. Rather coincidentally, Aini’s boyfriend Ramlan (Ali Rahman) happens to be the brother-in-law of the abusive employer. Aini confides her sorrows to Ramlan, who clearly identifies with her grim view of life, being unemployed and in a pretty forlorn state himself. Nonetheless, Ramlan is from a middle-class background and his proposal to marry Aini, who is considered socially inferior, is met with outright disapproval.
Ayer Mata
Writer
Tear film is Malay film which was published in Singapore when it was part of Malaysia in 1953. Tear Film issued in the form of black and white film without color . Tear film was released in 1953 in theaters across the country . Showing Datuk Ahmad Mahmood , Datin Rosnani Jamil and many more . This is the story about forbidden love, a father and his long lost son. Rashid only discovers about his son when he was after the same woman, Hasnah. The slender and legendary, Rosnani played Hasnah. True love prevails but who manage to be with Hasnah?
Ayer Mata
Director
Tear film is Malay film which was published in Singapore when it was part of Malaysia in 1953. Tear Film issued in the form of black and white film without color . Tear film was released in 1953 in theaters across the country . Showing Datuk Ahmad Mahmood , Datin Rosnani Jamil and many more . This is the story about forbidden love, a father and his long lost son. Rashid only discovers about his son when he was after the same woman, Hasnah. The slender and legendary, Rosnani played Hasnah. True love prevails but who manage to be with Hasnah?
Patah Hati
Director
Kassim (P.Ramlee) returns to Singapore after finishing his studies in London and is thrust into a betrothal with the rich and cultured daughter of his father’s benefactor, Salmah. But of course, he had already fallen in love with Rahimah, a flower salesgirl who shares his love for Persian poetry.