Mikhail Tarkhanov

Depicts Russian Tsar Peter the First's conquest over the Swedes and his son Aleksey's plot to overthrow him.

This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.

While a factory director is distracted by production problems, his adolescent son suffers from loneliness. His mother is dead, and the father – a kind man and exemplary communist, winner of a Lenin Prize – is unable to find the time to educate his son, or a way to express his feelings. After an argument, the young boy runs away and, at his own risk, joins a band of criminals.

Peasant rebelling, pictures of folk anger - here accent that had to put Ivanovo in a new film. The manuscript of novel was found post mortem Pushkin in his papers. The name he did not have and remained unfinished. Intention of "Dubrovskiy" was prompted by an actual incident. A few variants of upshot of novel were saved. Ivanov became familiar with all and wrote it.

A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs." Written by Les Adams

The cinematic adaptation of "The Storm" play by Aleksandr Ostrovsky. In a provincial town on the Volga River, the young and sensitive Katerina marries Tikhon, a violent drunkard, and thus enters the crude milieu of greedy salesmen, the "dark kingdom". Her mother-in-law, Kabanikha, rules the family with an iron fist and endlessly harasses Katerina. One day, when Tikhon is away, she meets Boris, a man who embodies everything Katerina is longing for.

Film adaptation of The Golovlyov Family ("Господа Головлёвы), a classic novel by Mikhail Saltykov-Shchedrin. In the mid-19th century old-fashioned estate based on serfdom laws and traditions, tough and shrewd Arina Petrovna tries her best to make her realm prosper and even expand – despite unwillingness of her husband and three of her four children to lend helping hands... Ten years on, serfdom abolished, and now Porfiry-Yudishka, the epitome of a corrupt, cruel hypocrite, becomes the heir to the estate. Dullness and horrors of life, spent in destroying everybody around him, finally makes him to slowly realize things went somehow wrong. Half-mad, apparently, he goes to the cemetery to "ask for forgiveness" from his mother Arina Petrovna, and dies somewhere along his way, his frozen corpse found the next day.

The secret police agent finds that factory director wife is counterrevolutionary but dies from the heart attack. The director reads the diary of an agent and turns his wife to police.

From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen.

Student Raskolnikow, who has written an article about laws and crime, proposing the thesis, that un-ordinary people can commit crimes if their actions are necessary for the benifit of mankind, murders an old woman, who operates a crooked loaning house, as well as her sister, who made the mistake of visiting her at the wrong time. He is suspected of the crime, but somebody else confesses to the murder.