Antonín Soukup

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

Slacker Maurice Fadinar wasted his whole inheritance and the only way out of this situation, as it seems, to marry Helen Nonankur - daughter of a wealthy farmer. At the last meeting with his mistress in a nearby forest Fadinar's horse eats straw hat which belongs to a married lady, spending time in the company of young and hot Lieutenant Emil. Emil literally puts a knife to Maurice throat - or the lady will get back the exact same hat immediately, or he will arrange such a scandal that no wedding will not happen ...

Czech nobleman Petr Vok of Rozmberk (Milos Kopecký) is no longer so young, but his amatory adventures continue to arouse the envy of men and the indignation of respectable ladies. In his "female retinue" at the chateau in Bechyne he has twelve comely girls, but he still manages to seduce the miller's wife and the maid. Lord Vok is in great financial difficulties. His elder brother Vilém advises him to marry a rich woman. Petr surprises him by announcing his intention to marry the very young Katerina of Ludanice.

Three detective stories, three different views of life and death... Collection of three horror short stories.

When a comet passes the Earth very closely, it pulls a small part of North Africa, and a small swathe of humanity, along with it.

This futuristic science fiction comedy features an atomic bomb blast that causes women to grow beards and lose the ability to have children. A summit meeting is held at the United Nations, with the proposed solution of building a time machine. The decision is made to travel back in time and murder Einstein, with the hopeful result being that without the noted mathematician's research there will be no atomic bombs.

The young Prince Charles (Jaromír Hanzlík), the future King of his country Charles IV, is being educated at the French court in the company of his fiancée Blanche (Daniela Kolárová). One day he receives a summons from his father John of Luxembourg (Milos Kopecký) in Italy. He leaves for Italy accompanied by a deputation from Bohemia. On the way the prince's company fights a battle with armed Milanese against heavy odds. Thanks to Charles's perspicacity, the prince's almost naked soldiers win through. In Lucca in Italy Charles joins his father, and here he experiences an amorous adventure and escapes from the traps laid by the Italian rebels.

An artist's studio is descended upon by a group of retired men and a young mother who agree to model in the nude for money. Comedy ensues as the students and the local bureaucracy react to the models, all in need of extra money. Several running gags border on slapstick as the officials and the students don't know what to do with the nude models.

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

It is the summer holiday and little Mísa Horák has taken a few animals from the school's so-called "Corner of Living Nature" home to care for. But when he brings home two Angora rabbits, a starling, a little monkey, a tortoise and a small crocodile, his parents order him to take them away. He is helped by Káta, who offers to place the animals in the child's room of her family's apartment. Mísa leaves for her friend where the animals will hopefully be able to stay. Káta goes shopping. In the meantime, Káta's younger sister Minka wakes up and begins to play with the animals, who gradually run off in disarray.

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

An anti-war black comedy set during the Thirty Years' War. The film combines live action with animation to suggest the artistic style of the engraver Matthäus Merian.

The 20th century's first man lands on the moon and discovers - that Baron Munchausen has already beaten him to it, along with Cyrano and characters from Jules Verne's lunar-landing novel. The Baron spirits the young cosmonaut by horse-drawn ship back to an ancient "Earth", where they insult a sultan, rescue a princess, fall in love with the princess, and then as a trio have further experiences in a world of pastel colors, ornate dreamlike settings, and the inevitable angry disrupters of peacefulness and love.

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

Good-natured and garrulous, Švejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

A few bus-loads of holidaymakers from the agricultural cooperative on a day trip arrive to see the show at the Slavia Circus. But, they have bad luck. It is Monday, the day on which the employees have their extra day off.

Komedianti is a 1954 Czech film directed by Vladimír Vlcek. It was entered into the 1954 Cannes Film Festival.

The movie describes proletarian life in the Czech Lands after World War I.

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

People are afraid of the usurer Chazaj and are convinced that he is the bearer of evil. One day Chazaj pays a visit to the poor artist Simon Jordán and asks him to paint his portrait. Simon agrees but as he progresses with the work his mind conjures up terrible thoughts and in the end he commits suicide. The portrait looks lifelike and Chazaj is content with the results. After Chazaj's death the picture changes hands and brings misfortune to all who own it. The last victim is the young painter Roman who buys Chazaj's portrait in a bazaar. He finds a treasure in the frame and begins to live well off it. The comfortable life suits him so well that he rejects his original artistic aims and becomes a painter of fashionable kitsch.

Czech history movie.

At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.

U pokladny stál... is a Czech comedy film. It was released in 1939.

Venice Film Festival 1935