Lucas Barbi
略歴
Lucas Barbi graduated in Cinema Studies by Universidade Federal Fluminense, Brazil, and in Cinematography at École Nationale Superieur Louis Lumière, France. He also attended Berlinale Talent Campus 2016, at the Berlin Film Festival, and also Roger Deakins', Vilmos Zsigmond's and Dante Spinotti's masterclasses at Camerimage Festival, Poland.
He was the Director of Photography of over twenty short films, screened and prized on national and international film festivals, as "O Inverno de Zeljka", by Gustavo Beck (Best Image, Semana dos Realizadores, 2012); "Frinéia", by Aline Portugal (Critics Award, Santa Maria da Feira, Portugal, 2012); and "O Clube", by Allan Ribeiro (Best Film & Popular Juri, Paulínia Film Festival, 2014). And also of a dozen feature films, from fiction to creative documentaries, including "Seca" (Vision du Réel 2015) and "Futuro Junho" (Yamagata IDFF 2015) both by Maria Augusta Ramos; "O Fim de uma Era" (Rotterdam IFF 2015) by Bruno Safadi & Ricardo Pretti; "O Prefeito" (Locarno IFF 2015) by Bruno Safadi; "O Sol nos meus Olhos" (Colombo IFF 2014) by Flora Dias & Juruna Mallon; "Yorimatã" (Havana IFF 2014) by Rafael Saar; "Winter / Miracle" (Best Central and Eastern European Documentary, Jihlava IFF 2013) by Gustavo Beck & Zeljka Suková. He also shot video-art installations by the artists Eder Santos, Veronika Spierenburg, Tiago Mata Machado, Cinthia Marcelle and Aline X.
He has recently shot "O Clube dos Canibais", by Guto Parente.
Director of Photography
A spell breaking, Quebrante traverses the caves, ruins and phantasmagorias of the Transamazon BR230 Highway, portraying its stones and its ghosts. Set in tiny Rurópolis, the very first town ever built on the road, Quebrante follows Ms. Erismar, a retired elementary school teacher known in the region as The Cave Woman.
Director of Photography
The mythological story of the first woman on Earth, who came before Eve. She is created by God to be Adam’s wife. However, Lilith does not accept a position of inferiority in relation to man, she rebels and goes to the desert. Lilith reappears as Eve’s double, eats the forbidden fruit, takes revenge on Adam, on God, and becomes the first woman to rise up against the ruling patriarchal system.
Director of Photography
The sunlight illuminates a couple in bed. During the day, the house loses its cozy air and turns into a temple. She changes from lover to priestess. He transforms his embarrassment into a confession.
Cinematography
A red-light district in Belo Horizonte, Brazil. The camera is admitted into a "running house". Love for sale looks like a routine, dreary assembly line exercise here, sometimes almost like a comedy.
Director of Photography
1983 - A young biologist returns home from studies abroad, and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends lost and the future uncertain.
Director of Photography
Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.
Producer
The life and trajectory of José Rodrigues Mao Jr., history professor, unionist, singer and founder of the band Garotos Podres, an iconic Brazilian punk band from the 80s.
Director of Photography
The life and trajectory of José Rodrigues Mao Jr., history professor, unionist, singer and founder of the band Garotos Podres, an iconic Brazilian punk band from the 80s.
Director
The life and trajectory of José Rodrigues Mao Jr., history professor, unionist, singer and founder of the band Garotos Podres, an iconic Brazilian punk band from the 80s.
Director of Photography
“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.
Producer
A documentary about the creative process of Arrigo Barnabé
Director of Photography
A documentary about the creative process of Arrigo Barnabé
Director of Photography
Dadinho, an old samba composer, is taken by his granddaughter to his brother’s funeral, composer from a rival samba school. Along this path a history of rivalry, samba and betrayal emerges from the past.
Director of Photography
A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.
Director of Photography
Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.
Director of Photography
Angela collects diagnostics of diseases she has never had, but a new friendship might bring this peculiar collection to an end.
Director of Photography
The world ends and Emanuel needs to guide João to the portal that takes the deserving to eternity. Emanuel is desperate to ascend, but João will challenge the master's right to paradise. A queer-Christian adaptation of the Apocalypse: Book of Revelations.
Director of Photography
One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
Director of Photography
Pedro is given leave from jail to visit his family in Patos. During his visit, he confronts old ghosts and plans a new direction for his life, while discovering in Pamela, his teenage cousin, the same flame that burned in his heart.
Director of Photography
A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.
Cinematography
"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.
Director of Photography
Music about becoming women in the contemporary world, their emancipation and struggles
Cinematography
Within me lives a silence. At night, he goes with his claws, hunting for something to scream.
Cinematography
After living for thirty years in the largest Brazilian cities, Thini-á returns to his tribe. On his way home, he dives into João Kramura's past - the white boy who became a Kayapo native in Xingu hinterland.
Cinematography
The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.
Cinematography
Three workers gather around the preparation of a party in a museum. Apparently unknown, contacts between the three reveal profound implications in the past. In the center of the clashes there's a child. Lurking, the Devil.
Cinematography
The “Kappa Crucis” star cluster, nicknamed the “Jewel Box” (in reference to the multi-coloured flashes of the stars comparable to a collection of precious stones), is visible to the naked eye in the Southern Hemisphere and, for example, from the anonymous hangar where Bernardo Riedel, a legend of Brazilian astronomy, works in the Belo Horizonte suburb. This discreet man begins his day by listening to the messages left on his answering machine (“Bernardo, have you seen the latest images of Pluto?”), to birdsongs, or to Beethoven. He makes telescopes, polishes lenses, gets annoyed with administrative hassles or sits on the terrace in order to “float in space” with the help of his binoculars.
Cinematography
A portrait of the city of São Paulo through the life of four of its inhabitants: an economist and analyst of the financial market, a metallurgist who works at Volkswagen, a motorcycle courier and a railway worker. Each character calls attention to one aspect of the economy in a period of social tension: the three weeks before the start of the soccer World Cup. The director creates the movie by observing the daily life of the characters, without making interviews or commentaries. Future June aims to reflect on this historical moment and on the ways that the current economic model determines social and human relations.
Cinematography
Like a road movie, the film accompanies a water delivery truck through the Brazilian landscapes of the Sertão region, plagued by drought. Between fiction and documentary, the driver’s trip bears witness to a determined population endeavouring to live out their daily lives, while the sterile words of politicians seem to soar over the arid lands. A collective portrait that respects the right distance.
Associate Producer
The mayor of the city of Rio de Janeiro wants to go down in history. For this purpose, he decides to separate Rio from Brazil and create a new country.
Cinematography
The mayor of the city of Rio de Janeiro wants to go down in history. For this purpose, he decides to separate Rio from Brazil and create a new country.
Assistant Camera
Another day in the life of an elderly couple in the suburbs.
Cinematography
Aldo, a former photographer, is fired from his college professor job a little before his retirement. With no job perspective, he decide to sell his old work tools,and burn some of his pictures.
Cinematography
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
Director of Photography
During one night, a woman walks through Rio de Janeiro, and hears the music around: jazz, rock, eletronica...
Cinematography
They live, they act, they love. Today they remember, they relive, they live through cinema and life.
Cinematography
The Ok Club - the oldest gay social club in Latin America - celebrates its 53rd birthday.
Cinematography
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Cinematography
An extraordinary fish subverts the natural laws and terrorizes the popular imagination in Minas Gerais.
Producer
A man gets home and finds his wife dead. In a silent impulse he takes her body and plunges on the road. This man had never left his hometown, Brasília. When his wife dies, he leaves pushed by this emotional collapse, and submerges the road and it’s fortuity, searching to reconstruct his own reality. She survives in his memory. The road and its environment play an essential part in this man’s process: the landscape and the people, spontaneously. The Sun Against My Eyes follows this trip, from the countryside plateau to the fluminense hills.
Cinematography
A man gets home and finds his wife dead. In a silent impulse he takes her body and plunges on the road. This man had never left his hometown, Brasília. When his wife dies, he leaves pushed by this emotional collapse, and submerges the road and it’s fortuity, searching to reconstruct his own reality. She survives in his memory. The road and its environment play an essential part in this man’s process: the landscape and the people, spontaneously. The Sun Against My Eyes follows this trip, from the countryside plateau to the fluminense hills.
Cinematography
The painter Lauro seems to have a good life: he lives with his beloved wife Erika, and is successful working with art. However, he is not happy. One day, Lauro runs into Theo, a friend he hasn't seen in years. Both have already been in love with the same girl, Clara, who no longer lives in the city. It doesn't take long for the two to start remembering them as stories from the past, while taking a long walk through the streets of Vitória.
Director of Photography
A silent, black-and-white train journey through Eastern European winter landscapes takes a man to a Croatian village. An arrival in the cinematic tradition of 1920s avantgarde, with the railway and industrial modernity as a favourite graphical motif, which takes him past a fish market and a strange procession, and finally home to a small family, where the grandparents drink tea, smoke cigarettes and chat cheerfully. The image of a young woman burns itself onto the celluloid - and into the filmmaker's consciousness.
Cinematography
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
Director of Photography
Super 8 material shot in Rio de Janeiro, Brazil, in black and white.
Director of Photography
A return not to the origins, but to a place already filled with memories.
Director
A return not to the origins, but to a place already filled with memories.
Director
An award-winning doc focusing on the idea of "disappearance" in both fascist dictatorships and our own Western cultures.
