Diego Pagotto

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

A group of spanish tourists in Venice finds themselves fighting for their lives against locals that are not too keen on foreigners.

This utterly surprising debut gets cinematically richer with every twist and turn – allowing for moments of fabulously deranged buddy comedy, touching a sense of Western, always staying true to being a descent into the abyss of the human mind and desire.

A bizarre group consisting of a refined chef with unusual recipes, an assistant cook with taste disturbances and an improvised pastry chef takes part in a competition between chefs to win the contract for the G7.

Camilla wants to be a ballerina and the upcoming auditions for a dance college will be a great opportunity for her to showcase her talent. But, pushy like a tenacious summer wind, Sara swirls into her life and introduces her to an unfamiliar world made of sex, shopping sprees, soft drugs, parties, and wild friends.

The suicide of a prominent wine producer unleashes a series of mysterious murders.

Gualtiero Cecchin, the son of an entrepreneur must find a new way to make money after squandering his huge family fortune. With an idea and a good dose of recklessness Gualtiero must find a way to fund his new business while navigating the shady world of the Neapolitan mob.

A Romanian girl dreams of living the glamorous life she sees in Italian soap operas.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Cristina lives a peaceful life until her older brother Ciro, who has to attend a trial, asks to spend house arrests at Cristina’s home.

During the Christmas holidays, in Cortina d'Ampezzo interweave three stories.

A group of Italian villagers struggle to survive during a tumultuous time in 1943, debating how much assistance to give the partisans with the impending arrival of the Germans. Based on True Events.