Marie Balducchi

In the 1950's, Jews coming from North Africa and the Middle East settled in the newly constituted State of Israël. The Mizrahim, as their are called, were denied their right to a better life and forced to move to development towns in the Negev Desert. Today, the new generations of Mizrahim still suffer from this policy conducted 70 years ago. Michale Boganim follows the footsteps of her father, who came from Morocco and quickly became a leader of the local Israeli Black Panthers to stand against this discrimination. She embarks on a road trip through Israël's history to meet with three generation of Mizrahims.

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.

An overstressed American businessman and a French chambermaid make a connection at an airport hotel in Paris.

In Kisangani, a group of high-school students who cannot afford to pay the teachers' "bonuses" organized themselves to prepare the State exam together.

A young college student from rural Albania leaves school to visit home, only to find himself embroiled in his family's deadly blood feud.

Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.

He inhabits the world just like he inhabits his house: motionless. A serious accident nailed him there: in a house in the middle of a large garden. No longer can he dash around the world: day after day, he contemplates it from his house. He’s a filmmaker. He’s only ever lived to make movies.