Marie Grossová

Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

Good-natured and garrulous, Švejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

Venice Film Festival 1939

When the yacht of her former lover Mario Tudor arrives in Split, widowed Countess de Milesi, plagued by financial troubles, is hell-bent on selling him a fake copy of an expensive painting.

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

A czech film that focuses on an unfaithful husband who married in to money, as well as an impoverished man who is turns to theft.

Finnicky efficiency expert is sent to straighten out business management problems at a jazz club, and finds self being drawn into the swingin' scene.

The case of Colonel Redl -- an officer blackmailed into spying by virtue of his homosexuality.

In "Fidlovacka", the name of a Czechoslovakian festival, the proprietress of a cheese factory picks a fiancé for her orphaned niece in her desire to bring aristocratic blood into the family. THe niece has also picked the man she wants to marry and isn't the the rich aristocrat.

The film depicts the adventures of Kacenka (Zdena Kavková) and Vincek (Vlasta Burian), two innocent country bumpkins who live in a Czech small town, and the various jobs that Kacenka has once she moves to Prague, that beautiful capital city. Our heroine will have to bear difficult working conditions and to make things worse, she falls in love with a fake aristocrat. Fortunately her companion, Vincek who is also in Prague, has an unrequited love for her. Though he is the cause of many Kacenka's problems, Vincek finally will help and resolve her loves troubles. And of course there is a happy ending that brings the Czech couple together.