Filipe Matzembacher

Filipe Matzembacher

出生 : 1988-06-20, Porto Alegre, Rio Grande do Sul, Brazil

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Filipe Matzembacher

参加作品

Me Destrói
Director
Hard Paint
Screenplay
Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.
Hard Paint
Director
Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.
The Last Day Before Zanzibar
Producer
They heard the drums from the woods. And Arthur knew it was time to leave.
The Last Day Before Zanzibar
Screenplay
They heard the drums from the woods. And Arthur knew it was time to leave.
The Last Day Before Zanzibar
Director
They heard the drums from the woods. And Arthur knew it was time to leave.
Seashore
Executive Producer
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Seashore
Screenplay
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Seashore
Director
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Empty Room
Screenplay
Pedro's sister is moving out, and the rooms are getting bigger.
Empty Room
Director
Pedro's sister is moving out, and the rooms are getting bigger.
Tomou Café e Esperou
Producer's Assistant
Carlos goes to the kitchen and makes some coffee. The time that sets apart yesterday from now.
A Ballet Dialogue
Director
A young man and a senior man wake up. Time passes. And stops.
Nico
Screenplay
Isolated in an old and gloomy house, Tomaz and Martin spend their days in a tedious routine. One morning, Martin finds a young girl dead in the bathroom.
Nico
Director
Isolated in an old and gloomy house, Tomaz and Martin spend their days in a tedious routine. One morning, Martin finds a young girl dead in the bathroom.