Marcio Reolon

Three women with completely different backgrounds have one thing in common: they loved and were connected to the same man. From the point of view of these women, through an intricate structure moving back and forth in time, Raul enters the story.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

They heard the drums from the woods. And Arthur knew it was time to leave.

They heard the drums from the woods. And Arthur knew it was time to leave.

They heard the drums from the woods. And Arthur knew it was time to leave.

They heard the drums from the woods. And Arthur knew it was time to leave.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

Pedro's sister is moving out, and the rooms are getting bigger.

Pedro's sister is moving out, and the rooms are getting bigger.

Carlos goes to the kitchen and makes some coffee. The time that sets apart yesterday from now.

A young man and a senior man wake up. Time passes. And stops.

Isolated in an old and gloomy house, Tomaz and Martin spend their days in a tedious routine. One morning, Martin finds a young girl dead in the bathroom.

Isolated in an old and gloomy house, Tomaz and Martin spend their days in a tedious routine. One morning, Martin finds a young girl dead in the bathroom.