Screenplay
Young Viyan, is forcibly given to wealthy elder businessman, Haji Hemmo. When she runs out of the bedroom and climbs a tree, refusing to sleep with him, the respected elder looses face and becomes the laughing-stock of the town. In return, he punishes her by beating her and locking her up in the bedroom. The more the townsfolk mock him the harder he beats her. Meanwhile, a traveling young artist, Botan tries to reach out to her. This leads to Haji Hemmo's resolve to set her on fire.
Director
Young Viyan, is forcibly given to wealthy elder businessman, Haji Hemmo. When she runs out of the bedroom and climbs a tree, refusing to sleep with him, the respected elder looses face and becomes the laughing-stock of the town. In return, he punishes her by beating her and locking her up in the bedroom. The more the townsfolk mock him the harder he beats her. Meanwhile, a traveling young artist, Botan tries to reach out to her. This leads to Haji Hemmo's resolve to set her on fire.
Editor
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
Producer
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
Screenplay
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
Director
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
Director
The documentary depicts the suffering of the Kurds and Iraqis under Saddam's regime through dozens of testimonies by survivors of Saddam's Anfal campaign on the Kurds and by Shia Arabs in the south of the country, as well as with US/UK coalition officials, forensics experts and human rights representatives, The documentary reveals 330 mass grave sites that had been uncovered throughout Iraq, containing as many as 300,000 bodies.
Director
"Jiyan" takes place in Halabja about five years after Saddam's infamous chemical attack in 1988. Diyari (Kurdo Galali) has come from his new homeland, America, to put up a badly needed new orphanage. As construction proceeds, he gradually becomes acquainted with the tragic individual stories of the survivors. Prime among these is orphan girl Jiyan (Pirsheng Berzinji), and her lively young cousin Sherko (Choman Hawrami). Although he seems to fit right into life in this impoverished town, Diyari can hardly absorb the catastrophe that hit there, nor can he accept the level of injury that he encounters. When the orphanage is ready, Diyari says his goodbyes, plunging Jiyan back into quiet despair.
