Nevzat Açıkgöz

Another story of Gırgıriye Neighbourhood with Müjdat Gezen and Gülşen Bubikoğlu

Another story in Gırgıriye neighbourhood.

A bear-leading gypsy from the slums struggles to get back his sweetheart who works for a pavilion runner in the city, until she feels a wistful longing for where she thinks she is belong to and turns recalcitrant against the pavilion runner.

This is the story of the politician named Zübük. He gets expelled from the political party that he is a member of, due to corruption. The journalist Yaşar wants to make a news story about his case and investigates Zübük's doings. Yaşar gets baffled at the sly tricks Zübük played on his village people. In the end, he feels sorry about Zübük's present situation, however, as things happen he becomes aware that Zübük has been tricking him.

Zagor is a costumed hero in the tradition of Batman or the Phantom who has been transplanted to the old west, with perhaps a bit of Tarzan thrown into the mix for extra pop cultural resonance. The son of a white army officer and his wife who were slain by Indians, Zagor was raised by a trapper who taught him to be murderously handy with an ax, a task that would come in handy when he embarked on his planned mission of vengeance against his parents' killers. Upon reaching adulthood, however, Zagor discovered that his father had also been responsible for the deaths of many Indians, and that the moral line was not drawn as clearly as he had initially thought. As a result, he vowed to become an equal opportunity protector of the oppressed, whether they be white settlers or Indians.

Merlyn Solakhan’s feature documentary The City offers an unusual narrative on Istanbul. Solakhan roams every inch of the city, witnessing separate instances of standing stones, balloons, kites, cars, roads, and neighborhoods with her camera, whilst looking into the city’s nature, yesterday and today. The city from her perspective is intertwined with history. An essay film as well as a documentary, The City is a daring gaze on Istanbul. The movie goes beyond observation to working through and reflecting on the city, with no hesitation in bestowing a new image on it and seeing it in a new light.