Marc Marder

After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.

After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

A film about people who have survived the irradiation of war and recommended to those who believe they are immune to it.

ギリシャで休暇を過ごしていたアメリカ人観光客のベケット（ジョン・デビッド・ワシントン）は、大事故を起こして追われる身となる。命からがらアテネのアメリカ大使館に逃げ込み、汚名をそそごうと必死になっていたが、当局の追跡が迫るにつれて緊張が高まるだけでなく、政情不安さえも高まっていく。同時にベケットは危険な陰謀の網にさらに深く関わっていくことになる。

This film is an account of Singh's time in the town of Bir in Himachal Pradesh taking a look at migration and reverse migration in Bir, Barot and Baragraan through the lives of real people.

After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.

Exil is a visionary narration of the exile of Cambodians during the Red Khmer regime, during which the country was renamed Democratic Kampuchea.

Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, GOOD FUNK follows three generations of citizens whose lives intersect through acts of kindness both big and small.

If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.

1970年代カンボジアの暗部“クメール・ルージュ”、いわゆるポル＝ポト派による前代未聞の大量虐殺を紐解いていく渾身のドキュメンタリー。当時13歳だったリティ・パニュ監督自身の体験を、土人形に託して描く。

The film centers around a young French widow and her two adolescent children attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930's. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo; though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.

The Arbac de Neuvilles are one of the oldest families in France. They have inhabited their ancient château for fifty-two generations and are proud of their noble ancestry. But today they are stone broke. When a bailiff turns up notifying them that they owe two million euros in back taxes, these proud aristocrats are understandably shaken to the core of their ancestral seat. Just how are they to find this amount of money when none of them has any capacity for work?

Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".

A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.

Documentary about the life of Christian Dior and the founding of his fashion house in Paris.

France, 17th century, during the reign of Louis XIII. When a dear friend, the Duke of Nevers, is treacherously assassinated by a powerful relative, a skilled swordsman, the noble Henri de Lagardère, seeks his rightful vengeance as he tries to protect the innocent life of the duke's last heir.

Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

Set in the newly-pacified Phnom Penh, this film is about the return to civilian life of Cambodian soldiers.

Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator.

A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop in this moving, and beautifully photographed European drama adapted from a novel by Shahnon Ahmad. Pouev, his wife Om, and his seven children, live in a small rural village in Cambodia. Their whole precarious life depends upon the success of their rice crop. Both husband and wife are worried, but for different reasons. Pouev is concerned because their acreage is shrinking. Om worries about Pouev; what would happen to her and the children if he died or was injured? Her worst fear is manifest after Pouev steps upon a poisoned thorn and dies. Om finds herself heavily burdened with the responsibilities of maintaining the crop and caring for seven youngsters. She suffers paranoia from worrying about whether the children are doing their share and the other villagers lock her up leaving eldest daughter Sokha to bring in the crop.

In order to escape from the mob, an African-American man must disguise himself as a white man.

A street artist (Charles Lane) rescues a baby girl (Nicole Alysia) after her father is murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of the murderers.

A New York artist witnesses a crime and resolves to redeem his earlier inaction. A silent film in pantomime, this early work by director Charles Lane brings a unique deftness and grace to its social realist narrative.