Véronique Barnéoud

参加作品

Not on My Watch
Production Design
Nathalie is a jeweler who has just moved to Paris for a new job and a new life with her two sons. But the jewelry store manager suddenly changes his mind and tells her the job is no longer hers. Nathalie wants to protect her children and decides to say nothing. This first lie will spark others and soon Nathalie is entangled in a dangerous spiral.
Going Away
Production Design
Two unlikely friends — a supply teacher and a lonely young boy suspended between two estranged parents — embark on a weekend motorcycle voyage full of surprises and unforeseen consequences in this surprisingly tough, unsentimental drama.
Very Well, Thank You
Production Design
The tough lives of two ordinary individuals: Alex, an accountant and his wife Béatrice, a taxi driver.
Un an
Production Design
Victoire wakes up one morning to find the body of her partner, Felix, lying on the floor of her bedroom. Without being able to reconstruct the course of the last few hours, but convinced that she was not completely to blame, she decides to flee. Wherever she is, all bridges are cut, a certain Louis-Philippe, however, curiously always knows how to find her and keeps her informed of the outcome of the "affair". But Louis-Philippe does not tell everything. What is he hiding? Who is who? Who is lying, fabricating, denying, who is the other's denier? And what really happened?
Don't Do That!
Production Design
Joël is jealous and violent. After one crisis too many, Nicole, his young wife, returns to live with her parents with their three-year-old son. Joël hangs on, begs, threatens. One day, he kidnaps the little boy.
The Adversary
Production Design
Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.