Joseph Santley
出生 : 1890-01-10, Salt Lake City, Utah, USA
死亡 : 1971-08-08
略歴
From Wikipedia, the free encyclopedia
Joseph Mansfield Santley (born Joseph Ishmael Mansfield, January 10, 1890 – August 8, 1971) was an American actor, singer, dancer, writer, director, and producer of musical theatrical plays motion pictures and television shows. He adopted the stage name of his stepfather, actor Eugene Santley.
Joseph Santley was born in Salt Lake City, Utah. As a boy, he and older brother Fred began performing in live theatre appearing in summer stock and touring with their parents. In 1906, at age seventeen, Joseph Santley co-wrote and starred on Broadway in the play, Billy the Kid. In 1907, he acted in film for the first time for Sidney Olcott at the Kalem Company in a silent Western film short called Pony Express.
In 1928, Santley directed his first motion picture, a short talkie for Paramount Pictures that featured singer Ruth Etting. The next year, Paramount had Santley direct three more films that were short singing productions, one with Etting, another with crooner Rudy Vallee, plus a third titled High Hat with Broadway singing star Alice Boulden. Also, he directed A Ziegfeld Midnight Frolic, a musical film featuring Eddie Cantor along with Eddie Elkins and his orchestra. In 1929, Joseph Santley co-directed, with Robert Florey, the first Marx Brothers feature film The Cocoanuts, a musical comedy for which he is most famous. Based on the George S. Kaufman play, and with music by Irving Berlin, the film was billed as "Paramount's All Talking-Singing Musical Comedy Hit." His other notable directorial efforts include 1935's Harmony Lane, a biographical musical on the life of composer Stephen Foster. In 1940, he directed Melody Ranch starring "singing cowboy" Gene Autry. The film has been deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry.
During World War II, Joseph Santley worked for the war effort and in 1942 made the film Remember Pearl Harbor. In 1950, he made his last feature film but came back at age sixty-five to produce the 1954-55 television comedy The Mickey Rooney Show. In 1956, he put together two segments of Jazz Ball, a made-for-TV musical revue created from various filmed performances by jazz greats from the 1930s to the 1950s.
Joseph Santley died in 1971 in Los Angeles.
Director
When You're Smiling is distinguished by the presence of several top recording artists of 1950. The wafer-thin plotline concerns the misadventures of Texan Gerald Durham (Jerome Courtland), who arrives in the Big City to learn the ropes of the music business. Durham not only ends up with a recording contract, but also wins heroine Peggy Martin (Lola Albright) in the bargain. So much for the story. The principal selling card of When You're Smiling consists of the guest-star turns by Frankie Laine, Bob Crosby, The Modernaires, The Mills Brothers, Kay Starr and Billy Daniels.
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Liza Lee, fast-talking press agent for Al Jarvis, persuades Jarvis to stage a Musical Mystery Contest, with a $5000 prize to the person who can first name the most musical numbers and their performers. Lots of musicians perform.
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Brooke's marital life with Eric takes a downturn when she starts suspecting that her husband is starving his son from a prior marriage to death in order to claim his inheritance.
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In this drama, an aspiring playwright gets a job in a New York City restaurant favored by celebrities in hopes of getting a break. Unfortunately, most of them believe that the waiter lacks the talent to make it big. Only an aspiring songwriter, and a former waitress who has become a famous Hollywood radio star, really believe in him. When the ex-waitress drops by the restaurant to say hello, she and the others decide to play a trick on an arrogant producer by making him believe the waiter has written a sure-fire hit. They succeed and the producer puts on the show. The singer gets to be the star. When the show becomes a smash, everyone is surprised. Songs include: "Hitchhike To Happiness," "For You And Me," "Sentimental," and "My Pushover Heart."
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Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
Director
Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
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The three Scott sisters, Susie, Hallie and Lily, live in the small town of Riverdale with their father Tom, a handyman whose laziness is legendary. The high-spirited sisters relieve the tedium by collaborating on Lily's correspondence with Pvt. Robert Mason, who is stationed in Arizona....
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A journalist attacks the campaign of a mayoral candidate who has gained the endorsement of a rival newspaper.
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A trio of competing bands vie for a spot on a rural radio program.
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In this romantic wartime comedy, four female defense plant workers share a house with four male workers. The situation is on the up and up as the men and women work different shifts and they are only making due because there is a housing shortage. Unfortunately, they soon begin to fight about who gets the house during certain hours. Romance ensues.
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This musical comedy stars radio star Al Pearce has a double role playing himself and Elmer Blurt, the leader of a small-town band that struggles toward stardom in the big city. Their journey begins when Elmer decides to eject their female singer because she isn't really right. Unfortunately, her angry father is their sponsor and when he finds out, he withdraws all support.
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Young radio personality Judy Joyner becomes mayor of the moribund town, Sleepy Lagoon, after running on an all women ticket and promptly sets out to turn the town around.
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In this wartime musical, a feisty singer working in a London dive swears that she will become a star. She gets a job in an airplane plant when she learns that her fiance, a producer, and his partner are looking for new talent at the war factories. While working there, the woman meets a handsome RAF officer and falls in love. This causes some trouble.
Director
While shooting a western on location, a Hollywood "cowboy" star--whose offscreen image is exactly the opposite of his onscreen one--is saved from disaster by a gregarious local girl. She winds up becoming not only his leading lady in the movie but, because of a set of nutty offscreen circumstances, his fiancé in real life.
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Liz lives with her mother and stepfather in a boarding house on the "wrong side of the tracks"
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A radio saleswoman helps a singing cattleman trap a shady meat buyer with a bogus broadcast.
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An uninhibited Arkansas farmgirl discovers a group of Nazis operating in the United States. Director Joseph Santley's broad WWII comedy stars Judy Canova, Joe E. Brown, Eddie Foy Jr., Anne Jeffreys and Jerome Cowan.
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A film company hires a gangster to mock himself holding up a bank, but he succeeds too well and makes off with the money. But all ends well.
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The host of a whodunit radio show finds himself involved in his own mystery when he awakens to find a woman with a knife in her back in his bedroom.
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A man tries to redeem himself after ducking out on his comrades before the fatal attack.
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Like 1940's Melody Ranch, the 1941 Gene Autry vehicle Down Mexico Way was designed as a "special", to be promoted separately from Autry's regular B-western series as an A-picture attraction. The story gets under way when a pair of con artists, Gibson (Sidney Blackmer) and Allen (Joe Sawyer), breeze into the town of Sage City claiming to be movie producers. The two scoundrels promise to film a movie in the little burg on the condition that the townsfolk pony up the necessary production fees.
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Bob Clemens is a cameraman for newsreels. Assigned to shoot the Swiss ice skater Karen Vadja, he arrives too late, so decides to film a woman skating on a different New York rink and pass her off as Karen. The scheme backfires when promoter Larry Herman takes a look at Bob's film and decides to make the skater a star. Unfortunately, it's actually amateur (and illegal immigrant) Marie Bergin in the newsreel footage, not the great figure skater from Switzerland. Chaos ensues as Bob tries to straighten everybody out.
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On the day that United Broadcasting System's new building is dedicated, bumbling vice-president Harold L. Montgomery, Sr. discovers that he gave the wrong survey to the builders.....
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The story details the misadventures of two itinerant songwriters named Duke (Crosby) and Cliff (Foy) as they try to survive Army boot camp. Intending to boost the morale of their fellow draftees, our heroes stage a big musical show, which they eventually hope will graduate to Broadway.
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An unsophisticated farm girl enrolls in college and stars in the campus musical.
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As suggested by its title, Behind the News was a "stop the presses!" yarn set in a big-city newsroom. Lloyd Nolan is top-billed as a cynical reporter with a penchant for sticking his neck out too far. Frank Albertson costars as a cub reporter fresh out of journalism school, whose presence is resented by Nolan and his fellow workers. But it is Albertson who, after running afoul of the law, is instrumental in breaking up a ring of racketeers. Behind the News was remade by Republic as Headline Hunters (55).
Director
Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young players rehearsing for a WPA show at the Garrick Theater in New York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the stage doorman, offers to allow four of the men, Phil, Dandy, Jack and Ted, to use the theater for a boardinghouse. After accepting Mac's offer, the men improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the men learn she recently received a small inheritance, they allow her to audition, hoping she will back the show.
Director
Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor.
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His Arizona hometown of Torpedo invites Gene back to be the honorary sheriff of the Frontier Days Celebration.
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A young woman engaged to a millionaire falls for the understudy in a Broadway musical.
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A young man inherits a valuable piece of Texas land that an oil man plots to steal away.
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Rose Pierce is discontent with her life as the wife of a small town plumber and has visions of becoming a wealthy socialite. Consequently, when her smart aleck son Sammy hears that an electric railroad line is to be built through town, she decides that the family can become rich by purchasing the lots along the right of way. Patriarch George Pierce laughs at the idea, but when Rose and Sammy learn that Cora Stewart, the wealthy town widow, has withdrawn her savings from the bank, they jump to the conclusion that she is interested in buying the lots, and mother and son secretly invest the family bank roll in the land.
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Tom Allen, an orphan accustomed to waiting in bread lines is awarded a scholarship to the Culver Military Academy. Talked into attending so that he can have free room and board, Allen initially resists the rigid discipline but later softens as he makes friends and sees the value to the hard work and discipline.
Director
In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).
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Jane's dad (Tombes) is an oil field worker who comes into a fortune and is then pushed into society by his wife.
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Socially prominent Michael Ashburn, chief assistant for a London loan broker makes a large loan during a closing time to a man for a pair of earrings. He is unaware that the collateral can not be removed from the ears in which they reside, so then Julie becomes part of the collateral.
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The day after Carol returns from a European trip, she wakes up to find her dead father's creditors hauling everything away. Her aunt wants her to marry a millionaire, but Carol insists on getting a job.
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After striking it rich in Alaskan gold, a young man returns to marry his fiancé only to be snubbed. Her sister, however, is worth considering, until he learns about her gold-digging family.
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A small town Ohio barber accompanies his ditzy wife to Atlantic City, where she competes in the Happy Noodle Company's Mrs. America Contest.
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A girl in search of a rich husband mistakes a millionaire for a male model.
Story
A temperamental film star's vacation turns deadly when he uncovers a murder.
Director
A strong-willed young woman hires a student to impersonate a boorish French count and brings him home to meet her parents.
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Middle-aged couples try to reclaim their youth at a college homecoming.
Director
In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.
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An Irish crooner flirts with prize-fighting.
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Peyton Wells (Ben Lyon) rescues Judy Jones (Joan Marsh) from a very dull young man, at a sedate party given for her by her multi-millionaire grandfather Silas P. Jones (Purnell Pratt.) Judy refuses to accompany Peyton on a slumming trip to a cheap dance hall, and Peyton dances with several of the dowagers and tells them that Silas is practically dying of scarlet fever. The guests hastily depart and Joan joins Peyton at the Dreamland Dance Hall. She is mistaken by Jimmy Cassidy (Edward J. Nugent) as one of the hostesses and decides to dance with him as a lark. One thing follows another and Judy gets disinherited and takes a job at the dance hall through Jimmy and his friend Mabel(Isabel Jewell.) Jimmy confides to Judy his ambition to become a dance instructor over the radio and Judy decides to help him but can't get the needed financial backing. She gets Peyton to front the money, promising him she will reconsider his offer of marriage if Jimmy's plan fails.
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Edward Everett Horton plays radio celebrity Ned Farrar, "The Fireside Troubadour." Besieged by his adoring female fans, Ned hides out at the home of his wife Queena's (Peggy Conklin) imperious Aunt Min (Laura Hope Crews). He pretends to be Aunt Min's handyman, performing his tasks so well that the old lady refuses to let him leave! This hilarious movie even includes a slapstick car chase. Adapted from a play by Clare Kummer (which also starred Laura Hope Crews), Her Master's Voice represented another of Dore Schary's early screenwriting assignments.
Director
The life of Stephen Foster, composer who was the influence for the early Minstrel shows.
Director
As California gubernatorial candidate Burton is about to cast his vote a truck crashes into the polling booth, critically injuring him and his opponent. A flashback traces his career from unemployed veteran to dockworker to lawyer. A side thread traces his tortured relationship with his wife.
Screenplay
The life and loves of composer Stephen Foster, from his early success through his decline, degradation, and death from alcoholism.
Director
The life and loves of composer Stephen Foster, from his early success through his decline, degradation, and death from alcoholism.
Director
When a young man is befriended by a gambling ship operator and made a partner in the business, he becomes involved in a police manhunt after he covers up a murder committed by his new partner.
Story
A husband-and-wife vaudeville team disguise their young son as a girl so he can enter a contest run by a movie studio that's looking for "a new Shirley Temple".
Screenplay
A husband-and-wife vaudeville team disguise their young son as a girl so he can enter a contest run by a movie studio that's looking for "a new Shirley Temple".
Director
A husband-and-wife vaudeville team disguise their young son as a girl so he can enter a contest run by a movie studio that's looking for "a new Shirley Temple".
Story
Bob Preston, publicity man for Superba Pictures, uses his publicity skills in an attempt to make this fiancée June Dale the most famous movie star in the world. But in doing so, he forgets that women want to be attended to for themselves, not as objects of fame.
Director
Bob Preston, publicity man for Superba Pictures, uses his publicity skills in an attempt to make this fiancée June Dale the most famous movie star in the world. But in doing so, he forgets that women want to be attended to for themselves, not as objects of fame.
Director
A young man from a small town hits New York City, bound and determined to become a radio star. Amazingly, he achieves his ambition, but in the process alienates everyone around him with his arrogance and egomania.
Screenplay
A telephone operator gives up her job to try to be a nightclub singer.
Story
A beautiful chorine marries a handsome rich socialite, but her idyllic life ends when she visits a dying old beau and is charged when he commits suicide.
Story
A Masquers Club comedy short
Director
A Masquers Club comedy short
Story
Two gold diggers try a French dressmaker, two Mr. Smiths and Havana.
Writer
To avoid hostilities, Maryan, the ward of Doc May, a medicine show owner, induces Pop Garner, a circus owner, to join forces with her guardian. Doc May and Daphne, his wife, work as clowns; and Garry, a singing soldier of fortune, sings along with Maryan's act. Ruth, Maryan's partner, quits to get married; and Joe, who is jealous of Garry, replaces her with Trixie, his former assistant. When Garry announces his engagement to Maryan, Trixie persuades him to join a strip poker game in a drunken state and "compromises" him in the presence of his fiancée. Grief-stricken, Maryan falls during her act, and Garry, robbed of circus funds, is arrested. In spite of her injuries, Maryan, learning of Trixie's treachery, performs the act with her and forces a confession by threatening to drop her; Garry is released and is welcomed back to the show.
Director
To avoid hostilities, Maryan, the ward of Doc May, a medicine show owner, induces Pop Garner, a circus owner, to join forces with her guardian. Doc May and Daphne, his wife, work as clowns; and Garry, a singing soldier of fortune, sings along with Maryan's act. Ruth, Maryan's partner, quits to get married; and Joe, who is jealous of Garry, replaces her with Trixie, his former assistant. When Garry announces his engagement to Maryan, Trixie persuades him to join a strip poker game in a drunken state and "compromises" him in the presence of his fiancée. Grief-stricken, Maryan falls during her act, and Garry, robbed of circus funds, is arrested. In spite of her injuries, Maryan, learning of Trixie's treachery, performs the act with her and forces a confession by threatening to drop her; Garry is released and is welcomed back to the show.
Director
A short musical documentary.
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Presents Lincoln's difficulties with Gen. McClellan and Secretary of State Seward, over the selection of a commander of the Army of the Potomac. Lincoln asserts his leadership and appoints Gen. Grant.
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During the Florida land boom, the Marx Brothers run a hotel, auction off some land and thwart a jewel robbery.
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A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
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Eddie Peabody and His College Chums play us a few songs.
Director
Singer Ruth Etting sings two popular tunes of 1929. The whole short is filmed in one take.
