Jean-Gabriel Périot
出生 : 1974-04-23, Bellac, France
略歴
In his youth, Jean-Gabriel Périot assiduously frequents the dark rooms. At fourteen, it's the click, he decides that his job will be to make movies.
His passion for archives, visual or sound, and history comes during a work done at the Center Georges Pompidou at the end of his studies. He discovered the possibilities offered by archival images, a rich material that makes it possible to elaborate new visual narratives1.
However, before beginning in cinema, he teaches and proposes installations in the field of contemporary art.
Editor
Screenplay
Director
Director
Whaling has been around for centuries. It seems to be the fruit of man’s violence, destroying himself by destroying nature. Accompanying the rise of capitalism, the practice survives today, reflecting humans’ eternal destructiveness of nature and the creatures unable to resist them.
Screenplay
Through the text of Didier Eribon interpreted by Adèle Haenel, Retour à Reims [Fragments] tells in archives an intimate and political story of the French working class from the beginning of the 1950s to today.
Director
Through the text of Didier Eribon interpreted by Adèle Haenel, Retour à Reims [Fragments] tells in archives an intimate and political story of the French working class from the beginning of the 1950s to today.
Editor
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of films jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
Director
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of films jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
Editor
Jean-Gabriel Périot sketches the portrait of a group of women for whom music is a means of resistance and of escaping isolation.
Script
Jean-Gabriel Périot sketches the portrait of a group of women for whom music is a means of resistance and of escaping isolation.
Director
Jean-Gabriel Périot sketches the portrait of a group of women for whom music is a means of resistance and of escaping isolation.
Director
Calais, a few weeks before its clearing.The 'Jungle' is a place where thousands of migrants live and wait to go to England, or just that somebody takes care of them. And they wander in this deserted place, maybe to survive to our indifference.
Editor
Akihiro, a native japanese filmmaker living in Paris, came to Japan to interview survivors for a documentary celebrating the 70th anniversary of the atomic bombing of Hiroshima. Deeply moved by the interviews, he decided to take a break and wanders through the city during which he meets Michiko, a merry and enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled to the simplicity of the present.
Writer
Akihiro, a native japanese filmmaker living in Paris, came to Japan to interview survivors for a documentary celebrating the 70th anniversary of the atomic bombing of Hiroshima. Deeply moved by the interviews, he decided to take a break and wanders through the city during which he meets Michiko, a merry and enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled to the simplicity of the present.
Director
Akihiro, a native japanese filmmaker living in Paris, came to Japan to interview survivors for a documentary celebrating the 70th anniversary of the atomic bombing of Hiroshima. Deeply moved by the interviews, he decided to take a break and wanders through the city during which he meets Michiko, a merry and enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled to the simplicity of the present.
Director
Writer
Director
Director
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.
Director
Director
"We knew the world would not be the same. A few people laughed. A few people cried. Most people were silent."
Director
Eight portraits, eight dreams, eight escapes
Director
A documentary experiment of great emotional power, about freedom and the strength of human affective bonds. We witness a concert given by the inmates of a prison in Orléans. Yet, they remain unseen, beyond the prison walls, all along the film, while the camera looks at those who listen to the music outside, in front of the prison. Silent emotions, the rapt faces of the listeners, humming along the prisoners, and their unrevealed personal histories, form a human gallery of potential stories, born out of the viewer's imagination.
Editor
Documentary short about the Black Panther movement.
Producer
Documentary short about the Black Panther movement.
Writer
Documentary short about the Black Panther movement.
Director
Documentary short about the Black Panther movement.
Director
A film about politics and tomatoes.
Director
The story is adapted from Baader-Meinhof by Don DeLillo and it depicts the mysterious meeting between a woman and a man in an art gallery.
Editor
Writer
Director
Executive Producer
About police men's sensibility.
Producer
About police men's sensibility.
Editor
About police men's sensibility.
Director
About police men's sensibility.
Director
A young man, looking for a job...
Screenplay
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Director of Photography
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Editor
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Director
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Director
French archive images of the Second World War pass in a dizzying tempo. The pace slows when we see images of the liberation. We see happy, liberated citizens, but slowly a cruel scene becomes visible. Women who are alleged to have had a relationship with the Germans are publicly insulted, shaved and beaten.
Director
“I make films because I don’t know. I seek. I try to see things more clearly, pushing myself to at least know how to express questions. It’s a way for me to open a place for thought.” - Jean-Gabriel Périot
Director
Today's been sad. Tomorrow won't get any better. Let's un-do it all over again
Director
A beautiful, elegiac cycle expressing the boundless hope and infinite nostalgia of the voyage, consisting entirely of still images and painstakingly assembled into a emotionally moving pictorial essay. Periot: 'Remember that I am the cause of your journey. Don't lose me along the way.'
Director
An aquatic ballet to the sound of It's Raining Men.
Director
We are many. We are uniforms. We smile in the picture. But We are NOT happy
Director
The 21st of april 2002 was the day of the first round of the presidential elections. The two candidates chosen for the 2nd round of the elections were right wing Jacques Chirac and right fascist, homophobe and racist Jean-Marie Le Pen. When the result were announced, i was overwhelmed by so many emotions: where i had lived, what i have done, what i have not done, and how i too was responsible for this outcome... An irretrievable turning point. One of those very few moments when one feels that one is really living history. But unfortunately, history at its blackest. That very night was also the night my close friends organised a surprise birthday party for me. The cake had a bitter taste. Clash of public and private matters, small things of my intimate life and history in the making...
Director
Biting commentary on the assimilation of homosexuals into mainstream society illustrated through the use of cut-out animation.
Director
"I'm gay, I'm a fag, I'm proud and I really love sex."
