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Leila Shenna

Leila Shenna

出生 : , Marocco

略歴

Leila Shenna (Arabic: ليلى شنّا‎‎; born Morocco) is a Moroccan former actress who featured on film mostly in the 1970s. She is most commonly remembered in English speaking countries for her role as a Bond girl in the 1979 film Moonraker as an evil air hostess. However, she also starred in the 1968 film Remparts d'argile (initially released in Italy, later released in the United States in 1970 under the title Ramparts of Clay) directed by Jean-Louis Bertucelli, the 1975 Palme D'or winner Chronique des années de braise directed by Mohammed Lakhdar-Hamina, as well as the 1982 Algerian film Vent de sable, also directed by Lakhdar-Hamina. The first two films were set in Algeria, the third simply in the desert. She also had a minor role in the 1977 film March or Die. She is the cousin of Malika Oufkir, the writer of Stolen Lives: Twenty Years In A Desert Jail, an account of the failed 1972 assassination attempt on the King of Morocco by her father (and Leila's uncle), General Mohamed Oufkir. Description above from the Wikipedia article Leila Shenna, licensed under CC-BY-SA, full list of contributors on Wikipedia.

プロフィール写真

Leila Shenna

参加作品

Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.

007／ムーンレイカー

Hostess Private Jet

イギリスへ輸送中の、アメリカのスペース・シャトル、ムーンレイカーが何者かによって奪われた。事件の調査に乗り出したボンドは、背後に、人類抹殺を計画する組織があることを突き止める……。前作でも登場した、鋼鉄の歯を持つ殺し屋ジョーズが不死身の大活躍をみせる。主題歌シャーリー・バッシー。

Arab Girl on the Street

Just after World War I, Major Foster is incorporating new recruits into his French Foreign Legion platoon when he is sent to his former remote outpost located in the French Morocco to protect an archaeological excavation from El Krim, a Rifian leader who intends to unite all local tribes to fight the colonial government…

Chronicle of the Years of Fire

Chronicle of the Years of Fire

La femme

The beginings of the Algerian Revolution as seen through the eyes of a peasant.

Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)

Ramparts of Clay

Ramparts of Clay

Rima

In an Algerian village, the workers of a salt mine go on strike because of low wages. The owner calls the army to control the men, but a young woman cuts off the water to force the troops to retreat.

Conquer to Live

Conquer to Live

Karim decides one day to leave his village in the Rif and to venture into the big city of Casablanca where he must conquer, first to live, then to express himself.