Stevan Marić

Radašin and Milašin are brothers but they don't talk with each other. Both of them got letters inviting them on mysterious journey from their village to Belgrade, capital of Serbia. Each one has an amusing path that leads to one place, but their family won't let them fulfill their destiny alone in the end.

An apotheosis of loyalty and love. A tale of lost happiness and dreams, fears and transience, supremacy of fate and laws of nature, gratitude and cruelty of nature, inability of man to change that and influence the course of his own life.

Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.

The start of the Yugoslav civil war forces freshly graduated Mina to choose between being an obedient daughter or escaping abroad with her lover so he wouldn't serve in the army.