Lee Breuer

参加作品

The Book of Clarence
Writer
A founding member of The Blind Boys of Alabama, one of the world’s most successful gospel groups, Clarence Fountain has lived a remarkable life, full of music and passion. Now in his eighties, slowed by age and diabetes, Clarence retains his brash charm, and wistfully recalls his decades of glory, from beginnings in the choir of a school for the blind, to the group’s sudden rise to stardom as “Oedipus” in the experimental musical The Gospel at Colonus.
The Book of Clarence
Director
A founding member of The Blind Boys of Alabama, one of the world’s most successful gospel groups, Clarence Fountain has lived a remarkable life, full of music and passion. Now in his eighties, slowed by age and diabetes, Clarence retains his brash charm, and wistfully recalls his decades of glory, from beginnings in the choir of a school for the blind, to the group’s sudden rise to stardom as “Oedipus” in the experimental musical The Gospel at Colonus.
Mabou Mines Dollhouse
Director
In this film, the director deconstructs the oft-staged Ibsen classic A Dollhouse.
The Equalizer - The Movie: Blood & Wine
Benjamin Harris
Robert McCall (Edward Woodward) is forced to work with a former terrorist turned monk by the name of Joseph Heiden(Telly Savalas), whom he despises and mistrusts, on a deadly mission in New York.
Committed
Clifford Odets
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
Underground and Emigrants
Self
In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)