Li Shaohong

The background of "Hero" is set in 2020: a sudden disaster that disrupted everyone's lives. When society face unemployment when families fall apart, when lovers are separated, when death is approaching quietly, and when a peaceful life suddenly undergoes unexpected changes, how will women respond? What are the vital and irreplaceable roles that men play in women’s lives and growth? The three female directors Zhang Aijia, Li Shaohong and Chen Chong used their unique female perspectives to explore and show people's plights and struggles in family, career, and love in special times.

The background of "Hero" is set in 2020: a sudden disaster that disrupted everyone's lives. When society face unemployment when families fall apart, when lovers are separated, when death is approaching quietly, and when a peaceful life suddenly undergoes unexpected changes, how will women respond? What are the vital and irreplaceable roles that men play in women’s lives and growth? The three female directors Zhang Aijia, Li Shaohong and Chen Chong used their unique female perspectives to explore and show people's plights and struggles in family, career, and love in special times.

Gu Xi is about to lose her job because of undocumented citizenship status. While making use of all her connections in her effort to get official registration papers, she also tries to getting along with her brother's new girlfriend.

Based on real life events, the film is set in January 1949 and focuses around a group of soldiers involved in the final stages of the Battle of Pingjin

A story of four women set amidst the Macanese gambling industry.

Two former lovers find themselves irresistibly drawn back together — despite the fact that each of them is engaged to someone else.

A chronicle of the events that led to the founding of the Chinese Communist Party.

The horror story set in the contemporary China centers on a young intellectual’s ominous journey to find his lost girlfriend and the truth behind the breakup.

When Yan'ni starts college she believes she is embarking on a new life away from her family, and she is, but not the new beginning she anticipates. Once at school, she immediately meets Muyu and falls in love with him. What she does not know is that from the moment he met her Muyu began an intricate deception that will lead to the loss of her child and the future she believes in.

Liu Zhi, a young man, depressed and trapped in a loveless marriage with a dominating girl, meets Baober (an ageless young girl) on a Beijing street one day. They fall in love and start to live a strange, mysterious life....

1946年、中国・蘇州。ユイウェンの嫁いだ先は由緒ある旧家だったが、抗日戦争に巻き込まれて没落してしまう。今では長患いで気難しい夫のリーイェンとその妹シュウ、使用人ホワンとの4人で静かな毎日を送っていた。そんな家族のもとへある日、ひとりの男が訪ねてくる。彼はかつてリーイェンと共に医学を志し、現在は上海で医者になっているチーチェン。旧友との再会を素直に喜ぶ夫の傍らで、ユイウェンは驚愕していた。チーチェンは彼女が16歳の時の初恋の相手だった。この思いがけない再会に、ユイウェンの心は掻き乱されていく…。

1998 film

Modern-day urban problems like unemployment and teenage depression come under the microscope. Husband and wife lose their jobs, and their daughter is under considerable stress studying for her college exams. Meanwhile, grandmother is having an unexpected romantic liaison. Will the family be able to pull together to solve their problems?

The film charts the fortunes of two women who loved each other as sisters, but whose paths diverge when the Revolution brings an end to their old way of life in the brothel.

The film charts the fortunes of two women who loved each other as sisters, but whose paths diverge when the Revolution brings an end to their old way of life in the brothel.

After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.