Elisabeth Marjanovic Cronvall
Producer
An office gets furnished. Shelves, chairs and a projector. Then it's filled with people who practice pitching sales at each other over the phone.
Director
Two Swedish directors set off for Greece to find out how the local residents feel about the media images of the crisis.
Editor
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Director of Photography
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Screenplay
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Director
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Editor
They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.
Screenplay
They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.
Director
They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.
