Alejo Hoijman

参加作品

The Bearer of Sorrows
Editor
A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.
Adeline, the Great
Editor
A woke boarding school student questions her commitment to activism when she finds herself with no friends, countless enemies and facing some very serious accusations that threaten to get her expelled.
Theatre of War
Editor
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.
The Shark's Eye
Writer
Summer is coming to Nicaragua and Maycol and Bryan will start to learn their families' trade, shark hunting. In a place where traditional trades disappear in favor of drug trafficking, these two boy choose their future. A coming of age film set in the forgotten Caribbean coast of Nicaragua.
The Shark's Eye
Director
Summer is coming to Nicaragua and Maycol and Bryan will start to learn their families' trade, shark hunting. In a place where traditional trades disappear in favor of drug trafficking, these two boy choose their future. A coming of age film set in the forgotten Caribbean coast of Nicaragua.
¿Qué culpa tiene el tomate?
Director
Omnibus documentary taking place in seven countries about the food marketplace in each.
Unidad 25
Director
Unit 25 is an observational documentary which follows the process of Simon Pedro's adaptation and indoctrination to the religious regime which is tried to be imposed upon him as a kind of transaction. Simón Pedro, an 18-year old inmate, is transferred to Unit 25, the only prison-church. Unlike any other Argentine prison, there are no murders or rapes here and everything is clean. Nevertheless, in order to enjoy these benefits, the two hundred and fifty inmates are forced to convert to Evangelism through an intensive and extenuating religious indoctrination.
Gardel: el hombre y el mito
Editor
Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.