Production Design
Babak, an Iranian student in Greece, doesn't show up to welcome his visiting parents at the Athens airport. Pari and her older husband, both devout Muslims abroad for the first time, are ill-prepared to search for their son in an intimidating and alien environment. All their attempts to find a clue that might lead them to him prove to be in vain and they soon reach a dead end. But Pari can't give up looking for him, even when returning to Iran seems like her only choice. Following the steps of her rebellious son in the darkest corners of the city, she will exhaust her inner strength to achieve more than a mother's search for her missing son.
Art Direction
1941年、英国の戦略会議室において、ある極秘計画が立てられる。それは、ベルギー領コンゴの鉱山から、原爆の製造に必要なウランをドイツに運んでいるナチスの潜水艦を奪取し、潜水艦ごとウランをアメリカへ運ぶというもの。その無謀な任務を遂行する役目を任された、スタン率いるベルギーのレジスタンス集団は、目標のUボートを奪うと、ドイツ人捕虜のフランツを艦長に据え、アメリカ目指してUボートをいざ出航させる。
Production Design
Production Design
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.
Production Design
Eduard Zuiderwijk (Marco Borsato) runs a restaurant in Africa. When his wife (Ricky Koole) suddenly dies, he is left to take care of his son Thomas (Siebe Schoneveld) on his own. When his son's best friend Abu (Andrew Kintu) is abducted by a rebel leader to be trained as a child soldier, Eduard goes in pursuit to save the boy and regain his son's respect.
Art Direction
鬼才ポール・バーホーベン監督が、23年ぶりに故郷のオランダでメガホンを取ったサスペンス・ドラマ。1944年、第二次世界大戦時ナチス・ドイツ占領下のオランダ。若く美しいユダヤ人歌手ラヘルは、ドイツ軍から解放されたオランダ南部へ家族とともに逃げようとするが、何者かの裏切りによって家族をナチスに殺されてしまう。復讐のために名前をエリスと変え、ブルネットの髪をブロンドに染め、レジスタンスに身を投じる。そしてナチス内部の情報を探るため、ナチス将校ムンツェに近づき、彼の愛人となることに成功するが…。果たして真の裏切り者は誰なのか？すべての鍵を握る“ブラックブック”とは？
Production Design
鬼才ポール・バーホーベン監督が、23年ぶりに故郷のオランダでメガホンを取ったサスペンス・ドラマ。1944年、第二次世界大戦時ナチス・ドイツ占領下のオランダ。若く美しいユダヤ人歌手ラヘルは、ドイツ軍から解放されたオランダ南部へ家族とともに逃げようとするが、何者かの裏切りによって家族をナチスに殺されてしまう。復讐のために名前をエリスと変え、ブルネットの髪をブロンドに染め、レジスタンスに身を投じる。そしてナチス内部の情報を探るため、ナチス将校ムンツェに近づき、彼の愛人となることに成功するが…。果たして真の裏切り者は誰なのか？すべての鍵を握る“ブラックブック”とは？
Art Direction
Peter is a cheerful -- but not very obedient -- boy from a very ordinary family in pre-war Rotterdam. His many pranks amuse some and cause a lot of trouble to others, even making the front pages of the big city newspapers. His growing popularity brings him many new friends, but also some very powerful enemies.
Art Direction
The Detour is about a young woman travelling through Europe in search of herself and the truth of life. It is based on meetings between goatherd Joanna and Austrian author and playwright Thomas Bernhard. Joanna is lost after her boyfriend dumps her at a Women's Relief Centre in Rotterdam. She works in a library and visits the theatre, where she first sees a play by Thomas Bernhard. Bernhard's philosophy permeates Joanna's thoughts. When Camille invites her to visit the French Pyrenees, she accepts. On the way, she decides to visit Bernhard in Austria. She attempts to start a relationship with him and thereby finds herself.
Production Design
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses.
Production Design
A woman with a body writing fetish seeks to find a combined lover and calligrapher.
Production Design
A mage steals a book from a stranger and becomes very famous.
Production Design
