Laure de Clermont-Tonnerre

Unhappily married aristocrat Lady Chatterley begins a torrid affair — and falls deeply in love — with the gamekeeper on her husband's country estate.

While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.

While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.

ヴァンサン（レダ・カテブ）は射撃のチャンピオン。愛する妻デルフィーヌ（リュディヴィーヌ・サニエ）と子供に囲まれ、新居を郊外に建築するなど幸せな日々を過ごしていた。ある日、ヴァンサンの唯一の肉親である父親アルマン（チェッキー・カリョ）が病気で倒れ引き取ることになる。父親の心は荒んでおり、金銭トラブルも抱えていた。そんな父親との生活に慣れないデルフィーヌは、次第にヴァンサンを責めるようになり、ヴァンサンは、問題を起こす父を病院に預けようかと悩んでいた。しかし、これらの問題を解決するには多額のお金が必要だった。そんな時に、ヴァンサンの射撃の腕を見込んだ男、ルノー(ヨハン・ヘルデンベルグ)から相談が持ちかけられる。それは、多額の報酬と引き換えの暗殺依頼の仕事であった―。

Rabbit was shot in two days in a closed down part of Rikers Island. The short was selected this year in the U.S Narrative Short Competition of the Sundance Film Festival where it won the NHK award. She also got into the Sundance Screenwriters Lab, with the first version of her feature screenplay (penned by Brady Corbet & Mona Fastvold) and later into the Directors Lab. She is about to start prepping the film, and the production should start soon. The film is produced by the French production company Légende (La Vie en Rose).

Rabbit was shot in two days in a closed down part of Rikers Island. The short was selected this year in the U.S Narrative Short Competition of the Sundance Film Festival where it won the NHK award. She also got into the Sundance Screenwriters Lab, with the first version of her feature screenplay (penned by Brady Corbet & Mona Fastvold) and later into the Directors Lab. She is about to start prepping the film, and the production should start soon. The film is produced by the French production company Légende (La Vie en Rose).

Yacine is the veterinarian of the only zoo remaining in the Palestinian West Bank. He lives alone with his 10-year old son, Ziad. The kid has a special bond with the two giraffes in the zoo. He seems to be the only one to communicate with them. After an air raid in the region the male giraffe dies. His mate, Rita, won’t survive unless the veterinarian finds her a new companion. The only zoo that might provide this animal is located in Tel Aviv ...

How a seventeen year-old determined girl in a wheelchair encounters love through a young antisocial male prostitute.

How a seventeen year-old determined girl in a wheelchair encounters love through a young antisocial male prostitute.

Zef’s stormy relationship with his brother Roni is further aggravated when Roni marries his daughter just as he is attending to his wife’s funeral. The two brothers have never got on with each other. One is faithful to his religion, the other lives only for the present. Between London, Paris, Saint-Tropez and New York, a series of confrontations and betrayals threatens to drive the family further apart, but out of this confusion will come a great love story, perhaps even two...

The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

1911年。フランス人ジャーナリストのアデルは、昏睡状態に陥ったままの妹を目覚めさせるため、古代エジプトの伝説に残る《復活の秘薬》を追い続けていた。やがて彼女は、エジプト第19王朝ファラオ・ラムセス2世の墓にその鍵が眠ると突き止める。一方そのころ、パリではなぜかジュラ紀の翼竜が卵の化石からよみがえり、市民を恐怖に陥れていた。エジプトから帰国したアデルは秘薬の行方と翼竜事件の重大な関係に気付き……。

Dorothée and Nicolas fall in love at first sight. Together, they’re going to live a very beautiful love story... they know it. But life always finds a way to compromise the best resolutions, the best script, and nothing will happen as expected. Nicolas and Dorothée will be carried into a stormy comedy as crazy as their passion for each other…

This film proposes the allegory of a social drift with all the power of romantic fascination that it can evoke. It is about a meeting oftwo young people formatted by a culture of success with two men embodying a nihilistic and dematerialized vision of society. This work treads the fine line that separates the hero from the loser.. Are these two men messiahs or a pair of wandering vagrants? Is this descent on the river closer to a descent into the fires of hell or rather an initiatory journey?

Surreal gothic comedy about a gambler who wins a strange Chilean mansion and takes his frail wife there.

昏睡（こんすい）状態から目覚めたものの、左目のまぶた以外を動かすことができないエル誌編集長ジャン＝ドミニク・ボビー（マチュー・アマルリック）。意識ははっきりしているにもかかわらず言葉を発することができない彼に、言語療法士のアンリエット（マリ＝ジョゼ・クローズ）はまばたきでコミュニケーションを取る方法を教える。

Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side - the tail of a cat scampering away, a window, and a veiled woman's face - an intriguing picture... Later that day, Camille's mother, Ariane, meets up with her son in the park. The boy appears perturbed. He is leaning against a tree, eyes cast down. He says that now he wants to return to his "real home" and his "real mother."

Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.

In 1977, one year after Mao died, a French man ( played by Alain Bashung) comes back to China to work as a school teacher with his daughter. He quickly ignores the interdiction of getting in touch with Chinese people and finds himself drawn into mysterious meetings at the Red Pavilion. MY CHINESE SISTER is a movie about pretense and the mystification of reality.