Jean
Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.
Frankie
A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.
Mathias
Philippe is a movie star on the comeback trail. He shoots a film in Morocco, which will allow him to find the top of the bill. But nothing goes right, his partner, Alexi, breaks his arm during the shooting of a scene. Later, a phone call puts him in all his states: Julie, his ex-wife, who is a scriptwriter, asks him to keep their young films, Mathias and Victor. She has to go to Hollywood where she is nominated for an Oscar. Philippe is furious, but agrees to receive them in Morocco. Always absent, he does not know his children well. They have the (false) impression that their father does not love them. So, they do stupid things. And when a set catches fire, Philippe is certain that his children are responsible for the fire.
Kevin
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Tadpole
近未来の半ば朽ちかけたような港町に子供の失踪事件が続発。実は町に横行する一つ目教団が、沖合に浮かぶ奇妙な実験室に住む天才クローン人間クランク（ダニエル・エミルフォルク）に夢を見させるため、誘拐していたのだ。サーカスの怪力男ワン（ロン・パールマン）の幼い弟ダンレー（ジョゼフ・ルシアン）も誘拐される。ワンは9歳のミエット（ジュディット・ビッテ）率いる孤児の泥棒団に出会う。彼女たちは孤児院を経営するシャム双生児の姉妹の命令下にあり、ワンも腕力を買われて一味に入らされる。ミエットはワンの弟探しに同情して、二人は一つ目教団の本拠に潜入するが捕まり、処刑されることに。
Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.
