Carl Kayser

参加作品

No Man Is an Island
Director of Photography
The true story of George Tweed, an American sailor who became the only serviceman on the island of Guam to avoid capture by the Japanese during the early years of World War II.
Bungala Boys
Cinematography
When a child nearly drowns his friends decide to start a local lifesaving and surf rescue club.
Houla-Houla
Cinematography
Dust in the Sun
Director of Photography
A Northern Territory policeman, is given the job of taking an Aboriginal prisoner Emu Foot, to Alice Springs to be tried for a tribal killing. Bayard is wounded during a revenge attack by tribesmen, and Emu Foot helps him get to a remote cattle station. But there Bayard gets involved in a domestic crisis involving Julie Kirkbride, the neurotic, bored wife of the station owner, and is tempted by the head stockman's daughter Chris Palady.
Jedda
Director of Photography
An aboriginal girl is brought up by a white family that adopts her. As a young woman, she is mysteriously drawn to go "Walkabout" as people of her tribe have for hundreds of years.
Adelaide Advances
Cinematography
Made by The National Film Board 1954, this film captures the delightful city of Adelaide, capital of South Australia. The city set against a background of hills, owes a lot to its original plan by Colonel Light. The film displays the beauty of its wide streets and impressive public buildings and also features landscape painter Hans Heysen.
Sons of Matthew
Cinematography
The story of five brothers who homestead, with other settlers, on the virgin plateaus of the Australian bush country.
The Overlanders
Camera Operator
It's the start of WWII in Northern Australia. The Japanese are getting close. People are evacuating and burning everything in a "scorched earth" policy. Rather than kill all their cattle, a disparate group decides to drive them overland half way across the continent, from Wyndham in Western Australia through the Northern Territory outback of Australia to pastures north of Brisbane, Queensland.