As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.
Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.
Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².
A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After hearing a tragic story, she becomes interested in the lives of people she has been speaking to on the phone.
A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.
