Belén Bernuy

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.

Suspected of murder, fifteen year-old Ramón Fortuna is held in a detention centre. He feels as if he has woken from a dream, a dream lived in Vallecas, a working-class neighborhood in Madrid. His childhood is over. His mother and sister have dedicated their lives to him; now, although convinced of his innocence, they are powerless. His lawyer Marcelo - another son of El Barrio - is reluctant to take the case, happier to sever all ties with his secret past and a love long lost.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

A group of friends, all about in their thirties, gather at Julio's home, one of them, to help him paint the walls. During the hours they are together, their problems, their envy, their failures, their quarrels come to light. Around them, Marta will find how they really are.

A group of friends, all about in their thirties, gather at Julio's home, one of them, to help him paint the walls. During the hours they are together, their problems, their envy, their failures, their quarrels come to light. Around them, Marta will find how they really are.

Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya