Sigrid Bouaziz

An old Parisian bistro with eternal charm. Eight gentlemen at the table, eight great figures. They were the “kings of Paris”… National treasures, masterpieces in peril. A well-honed ritual ... A sense of humor and self-deprecation intact. Tenderness and cruelty. Eight old friends who hate and love each other. And suddenly an intruder ...

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Pauline has no news from Bruce, the married man whom she has an affair with. During her break in the countryside with her friend Violette, she will spend the whole stay waiting for…a text message. Experimenting the thousand stages of obsessive love.

After waking up to find himself all alone in an apartment where a massive party was being held the night before, Sam is immediately forced to face a terrifying reality: the living dead have invaded the streets of Paris.

When leaving an audition, Boris encounters Julia, who he hasn't seen for several years. Upset by seeing each other again, both confront a past that they'd fled.

One night, Pauline encounters Frank on a dating site. She impulsively decides to make him come to her place. But when she meets this strange young man in the flesh, Pauline is very disappointed. Not knowing how to get rid of him, she decides to have some fun by inventing a character for herself. Little by little, the lies will lead Pauline and Frank to a peculiar truth.

オリヴィエ・アサイヤス監督が贈る異色の心理ミステリー。兄を亡くした喪失感の中で、不可解な出来事に直面するヒロインを描く。 オリヴィエ・アサイヤス監督が『アクトレス～女たちの舞台～』に続いてクリスティン・スチュアートを起用し、カンヌ国際映画祭監督賞を受賞した心理ミステリー。『トワイライト』シリーズでブレイク後、本格派女優として活躍するクリスティンが、セレブの私生活を覗くうちに思わぬ事件を招く買い物代行業の女性を繊細かつミステリアスに演じる。予想外の展開を見せる物語は勿論、映画を彩るハイブランドファッションも見逃せない。

Progressing from movement workshops led by dancer Dimitri Chamblas, choreographer Mathilde Monnier and performer Yves-Noel Genod into a multi-layered story, the film follows a group of young artist-performers as they attempt to stage a revolutionary action.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

They call him The Cat. Of humble origins, he earns a living in the world of the night dealing cocaine. To obtain the drug he hypnotizes women and offers rich men the chance to possess them in exchange for a few grammes. But tonight his path will cross that of Diane, a real predator.

Intimacy and entertainment, melancholy and fury, modesty and drive, birth and disappearance. Four girls, four boys. Eight solitudes told with lyric and passion, between Earth and Cosmos, along the way towards their Metamorphoses.

One evening, Désirée, a young German girl of passage in Paris, meets Charles, France and Ivo. Once the excitement of the night, they find themselves in a sudden intimacy. The early morning will discover them changed.

Justin & Almina leave Paris and the threat of an expulsion. They hitch-hike to Nevers, where an uncle lives. The cars do not stop. Their journey, on foot, along roads and fields, takes them to edge zones. As they wander, the slowly realize how far away they now stand from each other, their love and desire now gone.

Jeanne is interned in a psychiatric hospital. She claims to be Joan of Arc.

Friends Franck, Hugo and Philippe attend a housewarming party in a Parisian apartment. At the door, two uninvited men try talking their way inside. The tension escalates.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

Juventa Athletic Club where teenagers practice running, guided by their coach, during an internship in the mountains. Sylvie, is a young woman and and instructor. Not so competent, clumsy and confused. She watches the teenagers beautiful bodies move, their growing desires.