Merril Stern

Drawing on unpublished diaries, memoirs and letters, The Great War tells the rich and complex story of World War I through the voices of nurses, journalists, aviators and the American troops who came to be known as “doughboys".

The turbulent life of soul and blues singer, the late Joe Cocker. A former gas fitter from Sheffield, catapulted to world stardom in 1969 at Woodstock with his legendary performance of the Beatles song, "A Little Help from My Friends". But in the early 1970s, Joe Cocker's inner demons nearly killed him. Overcoming his struggles with alcohol and drugs, he rebuilt his reputation as "one of the great primal rock and roll vocalists of all time" (Billy Joel's description). The film mixes Joe Cocker's own words, with rare archive. His wife (Pam Cocker) & family, friends and the legendary songwriters and musicians he collaborated with, tell Joe Cocker's story. The film has raw, historic, electric performance footage throughout. Extensive interviews of key people through his life include: Pam Cocker, Ben Fong-Torres (Rolling Stone magazine editor), Randy Newman, Jimmy Webb, Billy Joel, Rita Coolidge, Deric Dyer, Glyn Johns, and numerous others.

At Columbia University, during the week of John Belushi's death, lifelong friends Ben and Adam meet Nina at a student bar. After Nina and Adam marry, she goes to grad school in New York, while he begins a career as a writer. Ben marries Stanford law student Kat, and they both find work in New York. Lives are altered after Ben and Nina enter into an affair.

Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it

When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.

When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart.

A short musical about love.

An Elvis-like dog sings an ode to his hairstyle.