Christine Harbort

Inspired by true events, Olympic swimmer Harry Melchior defects from East Germany in the 1960s and hatches a daring plot to help his sister and others flee East Berlin through a 145-yard underground tunnel.

Flanders, a famous female author, travels in 1989 after the fall of the Berlin wall into the German capital. She is deeply depressed by the events because she saw the communist state as a very good thing that has now ended. In the joy of these days she finds no one to understand her, so she has to travel back to Munich. After meeting several people, known and unknown, it seems as if there will be no way to go.

Ramona lives her lonely life in Berlin working in a lipstick factory. One day she accidentally runs into Andrzei, a Polish mechanic illegally selling cigarettes in Germany during the weekend. One thing leads to another, and soon she finds herself pregnant. Then her life starts falling apart, when Andrzei tells her he already has a wife back in Poland and her baby dies shortly after its premature birth.

Two sisters try to manage life alone after their mother's accident.

Die Brüder Kipp (Joachim Król) und Most (Horst Krause) machen sich auf den Weg, um das Gut ihrer Oma zu erben. Auf diesem Weg begegnen sie Viktor (Konstantin Kotljarov), einem desertierten russischen Soldaten, der die beiden kidnappt und Nadine (Sophie Rois), die sich ihnen freiwillig anschließt. Zwischendurch gibt es noch einen Zusammenstoß mit Straßenrowdies, was diesen allerdings nicht gerade gut bekommt. Auf ihrem Weg zum Erbe (oder was davon übrig bleibt) geraten die Protagonisten in manche scheinbar ausweglose Situation.

A surrealist tale set in the East German village of Stalina.

It is 1988. Jacob (Gottfried John), from Hamburg in West Germany, falls in love with Elisabeth (Angelica Domröse) in East Germany. When they secretly meet in East Berlin, it seems the Stasi (secret police) knows about it. When Jacob visits her village, someone informs on him and he is deported. Elisabeth knows who begrudges her this love and takes her revenge. Critics note that in this film, director Heiner Carow revisits the themes of his 1972 smash hit, The Legend of Paul and Paula, which became a cult film throughout Germany.

Winter 1968. Historian Dr. Dallow is released from prison. He is still trying to cope with and understand why he was put behind bars for 21 months for defamation of the state. His supposed "crime:" for five minutes he accompanied a cabaret chanson on the piano. The film shows what "ordinary socialism" was like, letting the audience feel the threat under which the people in the GDR had to live over many years.

The philosopher Democritus has a toothache, so a dentist from ancient Abdera sets off for his house. En route, he gets into a fight with a donkey driver. This conflict eventually causes all of Abdera to go crazy. Just when the city is seconds away from having a civil war, Democritus' apprentice shows up to ease the city's tensions with a gift.

Karin, a well-known and loved midwife in her early forties, receives a high-order decoration from the state. While still overwhelmed with happiness about this honor, she is faced with a difficult decision when she encounters a young women who claims to be her daughter.

This tragic love story relates ten decisive years in the life of the great Romantic poet Friedrich Hölderlin, played by a young Ulrich Mühe.

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

35-year old ballet soloist Peter ends his career as a performance dancer and, on the occasion of his last stage performance, looks back on his career and his life. Peter′s retrospection is centred on the relationship with his professional and romantic partner Lotte, who he had once met at a joint performance. Peter remembers the landmarks of their love: their marriage, their child, and Lotte′s severe illness that threatened to end her career. In flashbacks, the film shows how the couple survived this crisis by working sacrificially to return to the stage and celebrate international success.

A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.

Two men and two women in a hotel.